Top Bollywood News: October 2010

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These days, more and more women are getting tattoos. As more women decide to get tattoos, flower designs continue to rise in popularity. The best thing about flower tattoos is the fact that there are many different colors and types of flowers – providing many different meanings as well. The flowers can mean a few different things, although specific types of flowers such as the rose and the

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Tribal tattoos, as the name implies, originated among Native American tribes and date back to over 5,000 years. Perhaps they are so prevalent among fraternity brothers due to the fact that the tattoos were originally applied to show loyalty to a particular tribe in native lands.Tattoos were also used to display a person's caste status, wealth, role in the tribe, even to document his brave

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Dragon designs are another popular type style of tattoos. They were popular in the past, and are now starting to get their popularity back. There are a lot of different dragons to choose from, including the mythical dragon and ancient Chinese dragon. Dragons are great on the chest for males and the back for females. Dragon tattoos can be virtually any size, although most males tend to

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Star tattoo designs are extremely popular and as such have come to symbolize a different cultural, social and religious meaning for many millions of people. In general, star tattoos represent positivity, dreams and high ambitions.

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There are many that have a fascination with the dark side of humans and even death. However, many that are into Goth are highly artistic, unique and like to stress their individuality and separation from mainstream society. As a result most Goth people like to enhance their overall image and body with tattoos. This has a lead to a whole area of tattoo designs called Gothic Among

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These ancient patterns and designs, which are often represented by elaborate knots and crosses are perfect for anyone with Scottish or Irish family connections.4) Cross tattooAgain, these designs can symbolize religious faith, but they're also commonly used with eternity symbols to show enduring love or friendship. So they're good if you want to get a tattoo with your children's names on it.

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A butterfly tattoo represents grace and freedom. They also symbolize beauty, which makes them popular with women. They're also perfect for people who have never had a tattoo before or those who want a small tattoo.

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If there is pooja for 4 films in Kodambakkam, Namitha is in 3 of them! That’s how high Namitha fever is. She is especially asked to do guest roles in films of Sundar C, Shakti Chidambaram and A Venkatesh.Namitha does a guest role in ‘Thee’ where Sundar C plays an encounter specialist. Since Sundar C is a straight forward cop, politicians find him a thorn in their flesh. So they use their authority and toss him around. Since they can play around with him only if he wears khaki, Sundar C sheds his uniform for civilianDirector K P P Naveen while speaking about his film Nellai Sandhipu said,” The story of this film is about a fake encounter and the problems that arise in the family.We are making this film as a wholesome family film. Through this film we are introducing a new face Rohit as hero. Devika is pairing with him. She had acted as a flower seller in the film Vaalmiki. Mega Nair is another heroine of this film. Director Raja is donning an important role in this film. Meera Krishnan is donning the role of the heroe’s mother.
Nadodigal Lakshmi and Devaraj are also starring in this film. To act as encounter specialists, three actors were required. So I selected producer P L Thenappan, director Saravana Subbiah and Sami Dev. I chose Thenappan for the role of the villain because of his eyes and his pan chewing habit.Initially he refused to act. He was very stubborn. But somehow I forced him to do the role. In the similar way I had to force the other two to act in these roles. The highlight of this film is about the cinematographer Sevilo Rajan who had handled the camera for Em Magan has handled the camera for this film. He has used two types of color for this film.
He has used one color for the family sequences and another color for the encounter scenes. He was always shooting the whole film with the camera on his shoulders. He has not used the stand even for one scene. Yugendaran who is the son of Malaysia Vasudevan has composed the music for the film. Andal Priyadarshini, Eknath and Nellai Bharathi have penned the lyrics.”
Banner: Super Good FilmsProduction: R.B. ChoudaryDirection: ThiraivannanStar-casts: Jeeva, J.D. Chakravarthy, Poonam Bajwa,Vadivelu, Azhagam Perumal and othersMusic: D. ImmanWhen certain auteurs embark out for testing waters with various genres, few filmmakers wanna take a safest bet, which is all about making a commercial film. ‘Kacheri Arambam’ is a full-fledged masala flick that doesn’t offer any rooms for innovative quotients.
Gotta know what’s Katcheri Arambam is all about?
A self-aggrandizing portrayal of hero falling in love with a girl (remember! Fall in love at first sight) and of course, a powerful baddie dying hard for the girl and a predictable climax.
Just like his previous film ‘Siva Manasula Sakthi’ kick-starts with a train journey, the commercial drama does take-off in the same ambience. This time, it’s not a beautiful missy, but filmmaker Thiraivannan himself premising the film. On the 8th minute, you’ve a flashback revealing about Paari (Jeeva), a happy-go-lucky youngster with a goodwill nature (We love to have a neighbor like him). He’s ready to give away his bike, money and what else? Anything you ask him. This often lands him onto the grounds of pettifoggeries with his dad (Azhagam Perumal). What’s next? The son wants to prove himself and takes a journey to Chennai and that’s where the film begins.Sooner, Paari comes across Madhi (Poonam Bajwa) and falls for her and later gets exposed to a shocking truth that she’s tightly frequented under the control of Sivamani (JD Chakravarthy), a deadly don, who had previously saved from clutches of a gang and vowed to marry her.What unfolds next is a series of hand-to-hand combat between Paari and Sivamani with a much predictable climax.Technically, the film doesn’t stand out at good standards. Imman’s music is irksomely done while rapid-cuts over editing leaves out a dizzy feel and cinematography by Vaidy could’ve been better.‘Katcheri Arambam’ maybe an enjoyable commercial treat for ‘C’ centres and frontbenchers, whom doesn’t care about the illogical attributes.What works: Vadivelu, first halfWhat doesn’t work: Overdosed commercial elements, Jeeva’s attempt to be a commercial hero, songs, editing, J.D. Chakravarthy’s weakcharacterization…You might also like: namitha films

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Ayesha takiya to quit film industrAyesha takiya to quit film industryAyesha Takiya’s decision to get married and quit the film industry has inconvenienced only those filmmakers who had not started their projects with her.She has served a notice to all the filmmakers who haven’t startedwork with her saying she’d like to opt out.Ayesha takiya to quit film industry
One such director who’s left in a panic situation is Jagmohan Mundhra whose Indianized version of The 40-Year Old Virgin is now heroine-less. This is the second film in a row after Rumi Jaffrey’s Life Partner when Govinda is stranded without a proper leading lady even after shooting extensively.Says Mundhra, “That’s because we can’t sign any and everyone opposite Govinda. He’s a a huge star and a brilliant actor. And his co-star needs to match his comic timing. Ayesha Takia fitted the bill in every detail.”
Ayesha Takiya’s decision to get married and quit the film industry has inconvenienced only those filmmakers who had not started their projects with her.She has served a notice to all the filmmakers who haven’t started work with her saying she’d like to opt out.

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There are good expectations from the music of Khelein Hum Jee Jaan Sey. After all Ashutosh Gowariker has been an accomplished film maker and when it comes to films that bring with them a sense of patriotism (Lagaan, Swades), the music has always been a highlight. He may have moved on from A.R. Rahman to Sohail Sen but the latter's compositions in What's Your Raashee? had proved that the replacement was not a bad idea at all. Now that Ashu has entrusted Sohail to create a much bigger (and relatively serious) soundtrack in the form of Khelein Hum Jee Jaan Sey, one hears the album with keen interest to know if the man manages to deliver.

First things first - Khelein Hum Jee Jaan Sey takes time to sink in. Music here is not bad by any means but it is not instant coffee that hooks on to audience in the very first listening. In fact one has to give the album a hearing - once, twice, thrice - and it is only then that the songs start registering themselves. This is what is evidenced in 'Yeh Des Hai Mera' which reminds one of the namesake tracks in Swades. However, the mood, treatment and setting of the song is totally different here as the revolutionaries get together to see that light at the end of the tunnel. Sung by Sohail Sen himself, this soft sounding number has a distinct Rahman touch to it and gives the album an expected start.

There is some fun immediately after with 'Naiyn Tere' following the same route as SD Burman's 'Dheere Se Jaana Bagiyan Mein'. This one is far peppier though and has a sweet innocent feel to it that makes you fall in love with it instantly. In the times when beats have taken over the proceedings, the world is dancing to the tune of 'Munni Badnaam' and rock is becoming an integral part of Bollywood compositions, 'Naiyan Tere' is like a whiff of fresh air. Credit must also go to Pamela Jain and Ranjini Jose who get the flavour of the first half of 20th century bang on and remind one of the eras gone by. 'Sad version' of the same song also arrives later in the album. This time around, the song is mainly hummed with instrumentals and chorus adding on the appeal.

What one was waiting for till now was an anthem song though and one finally gets to hear it in the form of the title song 'Khelein Hum Jee Jaan Sey'. Taking one back to the days of Lagaan, this anthem track comes with just the right kind of energy, pace, exuberance and styling that establishes loud and clear that one would hear this piece multiple times in the film's narrative. Following Rahman approach, right from the manner in which it is tuned to orchestrated, 'Khelein Hum Jee Jaan Sey' - which is a kids chorus sung quite effectively by members of Suresh Wadkar Ajivasan Music Academy - should find audience for itself.

If you liked 'Naiyan Tere', rest assured you would play on 'Sapne Saloney' repeatedly as well. A love song about the protagonist promising his beloved all the dreams to eventually come true, provided he first attains what he has set out for in life, 'Sapne Saloney' has a serene appeal to it with no Western adulteration whatsoever. While Javed Akhtar's lyrics here are simple and effective, singing by Sohail Sen and Pamela Jain is heartfelt as well that makes it the kind of number which fits in perfectly well with the setting of Khelein Hum Jee Jaan Sey.

If you have caught the promo of Khelein Hum Jee Jaan Sey, you would have heard the 'Vande Mataram' piece that goes in the background. Full fledged version of this song is heard here with the words being translated from Sanskrit to Hindi. Cine Singers Association Chorus Group delivers quite well in this high energy track that should add on to the momentum that visuals are expected to create in this action-drama affair. A much shorter version of 'Vande Mataram' appears later in the album with just strings doing a good enough job to keep the composition flowing.

From this point on, the album is entirely made of instrumental tracks which have mainly been set for different moods in the film. 'Long Live Chittagong' carries the exuberance of Khelein Hum Jee Jaan Sey with a feel good factor to it that enlivens the proceedings. The longest of them all is 'The Teenagers Whistle' which again picks up from the title track Khelein Hum Jee Jaan Sey and makes one suspect if the sound of whistle would be a code call for the teenage revolutionaries in the film.

A pensive mood is created soon after with 'Surjya's Sorrow' and the way Sohail Sen brings flute, strings and chorus together, it does manage to make an impact. There is an instant shift in mood soon after with 'The Escape', as is expected from the theme, picking on pace and moving ahead quite rapidly. Last to arrive is 'Revolutionary Comrades' which starts off on a slow note with the sound of 'Yeh Des Hai Mera', continues to gain momentum and turn ferocious in his last one minute. Expect some dramatic fireworks at the juncture in the narrative when it appears.

Khelein Hum Jee Jaan Sey is a good quality album which, as stated above, needs multiple hearing from audience before it settles in entirely. An album like this is different from what is being churned out week after week and since it belongs to an era gone by, it further needs to gain a solid platform for itself before it consolidates its position. While majority of album is situational - whether songs or theme pieces - and does register an impact in each of the tracks, the ones that should find instant attention are the title track 'Khelein Hum Jee Jaan Sey' and 'Naiyn Tere'. Later, as the film manages a standing at the box office, 'Yeh Des Hai Mera' and 'Sapne Salone' could also find an audience building over in the long run.

Download Khelein Hum Jee Jaan Sey MP3 Songs
01 - Khelein Hum Jee Jaan Sey - Yeh Des Hai Mera@review-of-movies.blogspot.com
02 - Khelein Hum Jee Jaan Sey - Naiyn Tere@review-of-movies.blogspot.com
03 - Khelein Hum Jee Jaan Sey - Khelein Hum Jee Jaan Sey@review-of-movies.blogspot.com
04 - Khelein Hum Jee Jaan Sey - Sapne Saloney Hai Sach@review-of-movies.blogspot.com
05 - Khelein Hum Jee Jaan Sey - Vande Mataram (Revised Sanskrit To Hindi)@review-of-movies.blogspot.com
06 - Khelein Hum Jee Jaan Sey - Long Live Chittagong@review-of-movies.blogspot.com
07 - Khelein Hum Jee Jaan Sey - The Teenagers Whistle@review-of-movies.blogspot.com
08 - Khelein Hum Jee Jaan Sey - Surjya's Sorrow@review-of-movies.blogspot.com
09 - Khelein Hum Jee Jaan Sey - Vande Mataram@review-of-movies.blogspot.com
10 - Khelein Hum Jee Jaan Sey - The Escape@review-of-movies.blogspot.com
11 - Khelein Hum Jee Jaan Sey - Naiyn Tere (Sad)@review-of-movies.blogspot.com
12 - Khelein Hum Jee Jaan Sey - Revolutionary Comrades (Soft)@review-of-movies.blogspot.com

01 - Khelein Hum Jee Jaan Sey - Yeh Des Hai Mera@review-of-movies.blogspot.com
02 - Khelein Hum Jee Jaan Sey - Naiyn Tere@review-of-movies.blogspot.com
03 - Khelein Hum Jee Jaan Sey - Khelein Hum Jee Jaan Sey@review-of-movies.blogspot.com
04 - Khelein Hum Jee Jaan Sey - Sapne Saloney Hai Sach@review-of-movies.blogspot.com
05 - Khelein Hum Jee Jaan Sey - Vande Mataram (Revised Sanskrit To Hindi)@review-of-movies.blogspot.com
06 - Khelein Hum Jee Jaan Sey - Long Live Chittagong@review-of-movies.blogspot.com
07 - Khelein Hum Jee Jaan Sey - The Teenagers Whistle@review-of-movies.blogspot.com
08 - Khelein Hum Jee Jaan Sey - Surjya's Sorrow@review-of-movies.blogspot.com
09 - Khelein Hum Jee Jaan Sey - Vande Mataram@review-of-movies.blogspot.com
10 - Khelein Hum Jee Jaan Sey - The Escape@review-of-movies.blogspot.com
11 - Khelein Hum Jee Jaan Sey - Naiyn Tere (Sad)@review-of-movies.blogspot.com
12 - Khelein Hum Jee Jaan Sey - Revolutionary Comrades (Soft)@review-of-movies.blogspot.com

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