Tanu Weds Manu - Music Review

Cast :: R Madhavan & Kangna Ranaut

There are limited expectations from the music of Tanu Weds Manu as the film hasn't been projected as a musical. Also, since there aren't many recognised names attached to the music department (composer Krsna, lyricist Rajshekhar), one doesn't quite know what to expect. However, since the film has a small town setting to it, one does expect the kind of score that would have a rustic flavour to it.

Though one doesn't know what exactly would arrive in the album, Tanu Weds Manu does boast of a cracker of a start with 'Sadi Gali' having all in it to turn into a smash hit in quick time. A Punjabi track by Lehmber Hussainpuri which is different from the routine 'bhangra' tracks, 'Sadi Gali' is a fun celebration number that hooks you in the first listening itself. A foot tapping number with a quintessential desi Punjabi flavour to it that carries the potential to find popularity wherever and whenever it is played, it will find good acceptance especially up North.

The album shifts track soon after with Mohit Chauhan humming around in his characteristic tone. A love song, 'Yun Hi' is about a guy professing his love and expecting the girl to nod in agreement as well. With easy on ears lyrics by Rajshekhar, the song maintains an overall simplicity in its tone and sails through smoothly. Though 'Yun Hi' is not the kind of song that has chartbuster written to it (due to an overall laidback presentation), it is harmless when given a hearing. Meanwhile Ujjaini can also be heard in the background as a backing vocalist.

Next to arrive is a Sufi number 'Rangrez' by Krsna. The longest track in the album which lasts over six minutes, 'Rangrez' has a core essence of love to it and is situational in appeal. Also, it can be expected to play a multiple times in the film's narrative. With an unadulterated presentation sans any external influences that would have threatened to take away from the traditional flavour that it carries, 'Rangrez' would primarily be appreciated by the followers of Sufi music. Later the song also arrives in another version which is rendered by Puranchand Wadali and Pyare Lal Wadali.

By this time around though one does start missing another terrific number like 'Sadi Gali'. However the album keeps it's soft and sober mood that had started with 'Yun Hi'. Resultantly the song that arrives is 'Piya' which actually turns out to be the best of the lot since 'Sadi Gali'. Sung by Roop Kumar Rathod, 'Piya' has a semi-classical flavour to it and shows the range of composer Krsna who spins a tune which is extremely easy on ears. With an old world charm to it, 'Piya' should sound even better when seen along with the film.

There is fun that returns to the proceedings with 'Mannu Bhaiya' which immediately reminds one of 'Genda Phool' [Delhi 6]. Call it the North Indian influence here but the combination of melody and rhythm is on the same lines as the one that was created by A.R. Rahman a couple of years back. Sung by Sunidhi Chauhan who goes restrained in this celebration number where friends and families of the bride and groom get together to tease the couple, 'Mannu Bhaiya' is yet another 'desi' track that maintains its essence. While Ujjaini Mukherjee and Niladri Debnath give Suidhi some support behind the mike, Manjeera, Rakhi Chand and Vivek Naik are the backing vocalists.

Last to arrive is a fun number 'Jugni' which is as Punjabi as it gets and gains that slot in the album which is reserved for a chartbuster. Even though the song's duration is a mere 3 minutes here, Mika makes it worth it by letting his hair down in this dance number that should be pronto aired across all music channels to gain added visibility.

Tanu Weds Manu would have settled down to just being a decent album if not for 'Sadi Gali' and 'Jugni'. These are the two numbers that acts as the pillars of Tanu Weds Manu that should not just add value to the album but also help the film gain added visibility in weeks to come. While 'Mannu Bhaiyya' and 'Piya' add further variety to the album, it's the aforementioned dance numbers that are most enjoyable.


Download Tanu Weds Manu MP3 Songs
01 - Tanu Weds Manu - Sadi Gali@review-of-movies.blogspot.com
02 - Tanu Weds Manu - Yun Hi@review-of-movies.blogspot.com
03 - Tanu Weds Manu - Rangrez@review-of-movies.blogspot.com
04 - Tanu Weds Manu - Piya@review-of-movies.blogspot.com
05 - Tanu Weds Manu - Mannu Bhaiya@review-of-movies.blogspot.com
06 - Tanu Weds Manu - Jugni@review-of-movies.blogspot.com
07 - Tanu Weds Manu - Rangrez (Hey Rangrez Mere Hey)@review-of-movies.blogspot.com

01 - Tanu Weds Manu - Sadi Gali@review-of-movies.blogspot.com
02 - Tanu Weds Manu - Yun Hi@review-of-movies.blogspot.com
03 - Tanu Weds Manu - Rangrez@review-of-movies.blogspot.com
04 - Tanu Weds Manu - Piya@review-of-movies.blogspot.com
05 - Tanu Weds Manu - Mannu Bhaiya@review-of-movies.blogspot.com
06 - Tanu Weds Manu - Jugni@review-of-movies.blogspot.com
07 - Tanu Weds Manu - Rangrez (Hey Rangrez Mere Hey)@review-of-movies.blogspot.com

Watch Tanu Weds Manu Videos

7 Saat Khoon Maaf - Music Review

Cast :: Neil Nitin Mukesh, Priyanka Chopra, Naseruddin Shah, John Abraham, Mohanlal, Irrfan Khan

Hype came when Theatrical trailers arrived at screens. Most expected movie of Priyanka Chopra showed once again hope for another masterpiece like FASHION. We listened DARLING in the trailer and later it's telecast-ed. It can be easily said that Darling's the first finest pieces we have heard in 2011 and so on expectations aroused for another mind blowing Vishal Bharadwaj album like "Kaminey", "Ishqiya" or "Omkara".

Carrying a Spanish feel in heart, DARLING's all set to burn the charts this moment. The two phenomenal female voices of Rekha Bharadwaj & Usha Uthup have just made the fire spread away to most far position. A spectacular composition and catchy lyrics by Gulzar have done a splendid job. "Darling" is the song of the moment. If Darling's slowed up in tempo at times and new lyrics have been added to it to make it a bit more beautiful, then you got a similar song to it that even has a nice title, DOOSRI DARLING. "The Darling series" has surely benefited the whole album.

To describe Sussana's romance with a muslim poet, BEKARAAN can be said the perfect choice of song. Strongly close to "MADHNO" from "LAMHAA", Bekaraan has a sweet & calm rhythm that can easily bind you in its spell. Sweet vocal by Vishal Bharadwaj himself, he has easily succeeded in composing a beautiful romantic number.

We see K.K. in a complete new avatar in O MAMA, a pulsar romantic track. With Rocking composition & catchy lyrics like "Sar Ko Aksar Nochta Hai Dil Mera", "Ek Meow Si Ladki", the song sounds even more better. On the whole, O Mama is far far successful to create a super impact on listeners and has K.K. written all oevr it as the reason for it's sensation.

With a Sufi Feeling in it, AWAARA makes arrival in the soundtrack and Vishal Bharadwaj has made the right desicion to choose Master Saleem as the vocalist as he is a perfectionist in these kind of tracks. Awaara has a melancholy strain in it and might be used in the background of any scene in the movie. Allover, it's purely a situational number that is quite impressive.

Pure & melodious romanticism enters the list when TERE LIYE, the most impressive song of the album enters. It surely carries the theme of Sussana in it under the magical vocal of Suresh Wadkar. Impressive & touchy lyrics by Gulzar are just the icing on the cake. After a long period, Suresh Wadkar delivers such a splendid song, Thanks to Vishal Bharadwaj. Will remind you about another sweet masterpiece "AB MUJHE KOI" from "ISHQIYA" by Vishal himself.

Suraj Jagan, the most rocking singer today whose throat has no limits to scream. If you are planning to compose a wild & acid based song, then you will have to make it sung by him. DIL DIL HAI purely signifies any live performance in the whole movie and Vishal has wisely appointed Suraj in it. A wild, completely rocking, full of electric guitars, drums and beats, this 185 minutes long track will impress young listeners most.

At last arrives a calm and strange track, YESHU that is sung by Rekha Bharadwaj. If you have heard "BADI DHEERE JALI" from "ISHQIYA", then you will find much similarity in both of them. Allover, a fair listen.

Vishal Bharadwaj albums always signify different tastes in a single dish and 7 Khoon Maaf is not different from it. 7 Khoon Maaf has ability to be another musical success in Priyanka & Vishal both's filmography. Delivered, as expected. We Hope Vishal Bharadwaj does justice with Ruskin Bond's "Sussana's Seven Husbands" in his movie. Final Word? Not 1, Not 2, Not Even 3, 4 Stars Maaf For the music of 7 Khoon Maaf.

Download 7 Saat Khoon Maaf MP3 Songs
01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

Watch 7 Saat Khoon Maaf Videos

Yeh Saali Zindagi - Music Review

Cast :: Arunoday Singh, Chitrangda Singh, Irrfan Khan

One looks forward to getting surprised with the soundtrack of Yeh Saali Zindagi. After all the film has been directed by Sudhir Mishra whose films invariably boast of good, though different, music. They may or may not find instant appeal but then they are remembered long after the film has come and gone. Case in point being Is Raat Ki Subah Nahi, Chameli and of course Hazaron Khwaishein Aisi. His last release Khoya Khoya Chand may not be playing till date while Tera Kya Hoga Johny never saw a release. Still one definitely wants to check out what does first time composer Nishat Khan have to offer here along with lyricist Swanand Kirkire.

As expected, it's the title song 'Yeh Saali Zindagi' which kick starts the proceedings in the album. A rare track that features both Sunidhi Chauhan and Shilpa Rao, it by itself becomes special due to these two singers with a distinct voice coming together behind the mike along with Kunal Ganjawala. A track that starts off as a soft track, it picks up pace within a minute to give it a pacy feel, only to return into being a slow number all over again. With hevay Western influence to it, 'Yeh Saali Zindagi' is a well written, composed and sung track that delivers what one expected from the soundtrack of this Sudhir Mishra film.

Due to it being a superb composition in the offing, Yeh Saali Zindagi deservingly finds two more versions going for it in the album. While one of them is an all-female version with Sunidhi and Shilpa pairing up all over again, there is also a bonus version with Abhishek Ray going solo. While the former follows the same mood and form as the one that was heard earlier at the beginning of the album, the latter is a funky version which takes a different texture altogether. Though the male version (with quite a few English lyrics in it) isn't bad, one would still want to go back to the original for its intrinsic quality appeal to it.

Just when one thought that composer Nishat Khan would keep Yeh Saali Zindagi in an offbeat zone comes a celebration track in the form of 'Sararara'. The kind of song which can be comfortably slotted into a quintessential Bollywood track which is set in a 'ched chaad' mode, especially during the festivities of 'Holi', 'Sararara' is heard twice. While the first is helmed by Sukhwinder Singh, the second version has Javed Ali taking charge and doing quite well too. A decent sounding track which doesn't quite have a long lasting appeal to it and seems to have been included primarily for reasons leading to commercial appeal, 'Sararara' should do well with the film.

The moment Shilpa Rao goes 'tu ru ru ru ru', one knows that here is one song which one was expecting from Yeh Saali Zindagi especially after listening to the title track. 'Dil Dar-Ba-Dar' has a fusion appeal to it with elements of 'sufi' music interspersed with Jazz and Blue, hence leading to an interesting composition in the offing. While Javed Ali plays a supporting role in the song, 'Dil Dar-Ba-Dar' stays on to be entirely a Shilpa Rao track that can be heard multiple times without one getting tired of it.

Shilpa Rao and Javed Ali return with 'Ishq Tere Jalwe' which has the kind of start that reminds one of 'Bheegi Bheegi Si' [Gangster]. Nevertheless, the moment Javed Ali starts his rendition, one knows that 'Ishq Tere Jalwe' is an entirely different composition. Though the song starts off on a rather average note, the moment there is emphasis on the word 'Ishq' followed by Shilpa's arrival behind the mike; you know that this one too is a number worth listening. Yet again, the song follows the same mood as evidenced in Yeh Saali Zindagi and 'Dil Dar-Ba-Dar' to give the soundtrack a theme appeal.

Finally arrives 'Kaise Kahein Alvida' which is a Javed Ali solo. This one takes the album into a different zone as it has an Indian classical base to it and is pretty much the kind of track that lonely lovers listen to in the night. If you are looking for the kind of song which has an elevating appeal, this is not the one. However for those searching for something which is totally non-filmy and can be played on in a repeat mode and forgotten after the lights are switched off, 'Kaise Kahein Alvida' should do well.

Yeh Saali Zindagi isn't the kind of album which finds instant attention for itself, courtesy it's unconventional set up. Yes, there are songs out there which do impress and actually come with a long lasting appeal. However there is a lot that depends upon the appreciation that the film garners at the box office or later through word of mouth amongst the audience, something that resulted in Hazaron Khwaishein Aisi become a cult film amongst a segment of audience. Nishat Khan and Swanand Kirkire do well but one has to wait for the film to release and the following it gets before his music can be termed commercially successful.

Download Yeh Saali Zindagi Mp3 Songs
01 - Yeh Saali Zindagi@review-of-movies.blogspot.com
02 - Sararara@review-of-movies.blogspot.com
03 - Dil Dar-Ba-Dar@review-of-movies.blogspot.com
04 - Ishq Tere Jalwe@review-of-movies.blogspot.com
05 - Kaise Kahein Alvida@review-of-movies.blogspot.com
06 - Yeh Saali Zindagi (Bonus Track)@review-of-movies.blogspot.com
07 - Sararara (II)@review-of-movies.blogspot.com
08 - Yeh Saali Zindagi (Female Version)@review-of-movies.blogspot.com

01 - Yeh Saali Zindagi@review-of-movies.blogspot.com
02 - Sararara@review-of-movies.blogspot.com
03 - Dil Dar-Ba-Dar@review-of-movies.blogspot.com
04 - Ishq Tere Jalwe@review-of-movies.blogspot.com
05 - Kaise Kahein Alvida@review-of-movies.blogspot.com
06 - Yeh Saali Zindagi (Bonus Track)@review-of-movies.blogspot.com
07 - Sararara (II)@review-of-movies.blogspot.com
08 - Yeh Saali Zindagi (Female Version)@review-of-movies.blogspot.com

Watch Yeh Saali Zindagi Videos

Patiala House - Music Review

Cast :: Akshay Kumar, Anushka Sharma & Rishi Kapoor

Without an iota of doubt, expectations surmount whenever a filmmaker like Nikhil Advani, who has always been a connoisseur of excellent music, teams up with music giants of the stature of T-Series and so is the case in their latest venture, PATIALA HOUSE. The film stars "Khiladi" Akshay Kumar whose films have always boasted of chartbusting music and Anushka Sharma who too has been very lucky as far as music of her films is concerned. And it is just a coincidence that the music of both their latest, TEES MAAR KHAN and BAND BAAJA BAARAAT respectively is topping the charts presently. And we are quite sure that their next, PATIALA HOUSE, will follow suit. The reason being the multitalented Shankar-Ehsaan-Loy who have been assigned the task of handling the music department this time too, very much like Nikhil's last three ventures, KAL HO NA HO, SALAAM-E-ISHQ and CHANDNI CHOWK TO CHINA.

Since the film is about a UK based Sikh family, it's but natural that the music will have heavy Punjabi influences and the very first song, "Laungda Lashkara", is one such number. Hard Kaur, who also features in the film, spices up the mood and sends the tempo racing as she starts the proceedings with her much loved characteristic rap which features intermittently during the whole song and is one of the highlights of the track. Jassi ("Dil Legayi Kudi.." fame) is in cracking form as he renders this very different Punjabi love song, along with the sweet sounding Mahalaxmi Iyer, who modulates her vocals to match Anushka's husky ones. The tune that Shankar-Ehsaan-Loy choose is very rhythmic and foot tapping and the arrangements are not too harsh and loud, after all it's SEL and they never go over the top! It's after quite a while that we have had a sweet Punjabi favoured love song that we fall in love with instantly (like in LOVE AAJ KAL), one which leaves the listener asking for more. Anvita Dutt deserves credit for conjuring up lyrics that are not heavy duty and has just the right mix of Punjabi, English and Hindi, yet simple and comprehensible, one which most people can understand without taxing their brains. The remix version "Laungda Lashkara" by Harry Anand is more pacy making the song even more dance oriented targeting the youth and GenX.

All those who have loved S-E-L in their last chartbusting yet classy outing, MY NAME IS KHAN, this one is for them as the next song is pretty much in the same corridor as "Noor-E-Khuda". Soothing piano notes, just the right precursor that sets up the somber mood and commences the song, "Kyun Main Jaagoon", a semi-philosophical, introspective, soulful number. Shafqat Amanat Ali is excellent as his vocals convey the cry of anguish of the main protagonist played by Akshay Kumar (who not being allowed to pursue his passion) with ease and aplomb.

The soft flowing melody combined with just the right minimal music arrangements, especially the piano interludes, blend seamlessly with the vocals and make this song a pleasure to listen to. Anvita's lyrics once again deserves brownie points as the crux of the film is conveyed easily through some brilliant words- "Mujhe yun hi karke khwabon se juda, Jaane kahan chhup ke baitha hai khuda."

The song also appears in two more versions. First is "Kyun Main Jaagoon" Unplugged and "Kyun Main Jaagoon" Remix. The unplugged version is for those who like things soft, subtle .with minimal music arrangements, just guitar and piano and crystal clear vocals. The remixed version has been handled classily by Asia Dub Foundation and converts the soft soothing number into a happening track, fit enough for clubs and discotheques.

The title "Rola Pe Gaya" was just an indication that we were in for some rollicking fun in the upcoming track and how right we were because this song has everything that we were expecting and even more! The start is a bit misleading as one gets the impression of a traditional Punjabi "mehdi" wedding number, but Hard Kaur puts things right on track with her superb rap. With S-E-L's "Where's The Party Tonight" (KANK-2006) still popular, here is the follow up to the iconic party number as Shankar gets behind the mike for this fun celebratory track, and one is forced to jive, such is the groovy rhythm of the "dhamaal" track. Master Saleem, Earl and Mahalaxmi Iyer join in the fun with renditions that exude energy. Shades of Lata's evergreen "Rangeela Re" is very evident but the way SEL have used it to suit their style is commendable.

There was no need for a remix version and "Rola Pe Gaya Remix" by Harry Anand can be called space filler but the fun continues here as well so one does not mind at all.

Soft guitar strums evoke feelings of timeless romance as the next song "Aadat Hai Voh" unfolds and this song is nothing short of a marvel, and the reason is that SEL have not followed a beaten path as seemed from the start. The song has contrasting shades of soft love ballad converging into a superb hard rock crescendo and a back up chorus, which is absolutely mind-boggling, a tad, Vishal Bhardwaj style. And after SEL it's our rocker Vishal Dadlani who deserves kudos for an excellent rendition, superlative control over his vocals and magical voice modulations, from soft to husky. Just brilliant. Lyrics too are very good, "Usko banane wala kuch kuch toh behka hoga, Jab bhi padi hogi uspe nazar". A number one can hear over and over again until it becomes an "dat".

Suraj Jagan and Alyssa Mendonsa come behind the microphone for "Baby When You Talk To Me" which is a classy and clever fusion of soft rock (reminiscent of Beatles /Elvis era) and typical SEL melody and they succeed in their effort of providing thorough entertainment. The highlight of the track is the main chorus, "Baby when you talk to me, Manzil mili gali gali" which is also the "mukhda" of the song and as one can make out a light hearted fun filled love ditty. The song also appears as a remix version by Andrew T Mackay (produced and mixed by Shantanu Huldikar) and it's even better than the original. More zing, more fun!

Renowned Punjabi "sufi" singer, Hans Raj Hans(of Dil Tote Tote fame) continues the celebrations in his usual grand style as we come across another wedding track, "Tumba Tumba" (Tumba - A musical instrument, a plucked spike lute used in rural Punjabi folk songs) that sounds straight out of Sooraj Barjatya films (read HUM AAPKE HAIN KAUN). The composition is partly sung in the "qawwali" mode, and that is the best part about this song. Lyrics are full of humour and in parts a bit Punjabish, especially the start, but the rest of the song has simple wordings that fit in the situation, and one can imagine the whole setting of the song through the wordings. Indian musical instruments like "sitar", "ektara" and also harmonium have been used to good effect.

Last up is "Aval Allah", a very popular Sikh devotional song (hymn), which provides just the right finish to a classy album. A brief soul cleansing, spiritually enlighting number that sends the strong message of equality of all and is rendered superbly by Richa Sharma, whose strong and clear vocals are picture perfect for this track. The Shabad Gurbani, "Aval Allah noor upaaeiaa, Kudrat ke sab bandey, Ek noor te sab jag upajaiaa, Koun bhalae ko mande?" Roughly translated it means, "First Allah Almighty created the light, then by his creative power, he made all mortal beings. From one light, the entire universe welled up, so who is good and who is bad?"

To sum up, one is spellbound as Shankar-Ehsaan-Loy prove once again that whenever they have been entrusted with the task of composing for a big project they always rise to the occasion and deliver the goods. Last year it was Shah Rukh Khan's MY NAME IS KHAN, where they showed their class and versatility, and they have come out with flying colours once again in case of PATIALA HOUSE.

Download Patiala House MP3 Songs
01 - Patiala House - Laung Da Lashkara@review-of-movies.blogspot.com
02 - Patiala House - Kyun Main Jaagoon@review-of-movies.blogspot.com
03 - Patiala House - Rola Pe Gaya@review-of-movies.blogspot.com
04 - Patiala House - Aadat Hai Voh@review-of-movies.blogspot.com
05 - Patiala House - Baby When You Talk To Me@review-of-movies.blogspot.com
06 - Patiala House - Tumba Tumba@review-of-movies.blogspot.com
07 - Patiala House - Kyun Main Jaagoon (Unplugged)@review-of-movies.blogspot.com
08 - Patiala House - Aval Allah@review-of-movies.blogspot.com
09 - Patiala House - Kyun Main Jaagoon (Remix)@review-of-movies.blogspot.com
10 - Patiala House - Baby When You Talk To Me (Remix)@review-of-movies.blogspot.com
11 - Patiala House - Rola Pe Gaya (Remix)@review-of-movies.blogspot.com
12 - Patiala House - Laung Da Lashkara (Remix)@review-of-movies.blogspot.com

01 - Patiala House - Laung Da Lashkara@review-of-movies.blogspot.com
02 - Patiala House - Kyun Main Jaagoon@review-of-movies.blogspot.com
03 - Patiala House - Rola Pe Gaya@review-of-movies.blogspot.com
04 - Patiala House - Aadat Hai Voh@review-of-movies.blogspot.com
05 - Patiala House - Baby When You Talk To Me@review-of-movies.blogspot.com
06 - Patiala House - Tumba Tumba@review-of-movies.blogspot.com
07 - Patiala House - Kyun Main Jaagoon (Unplugged)@review-of-movies.blogspot.com
08 - Patiala House - Aval Allah@review-of-movies.blogspot.com
09 - Patiala House - Kyun Main Jaagoon (Remix)@review-of-movies.blogspot.com
10 - Patiala House - Baby When You Talk To Me (Remix)@review-of-movies.blogspot.com
11 - Patiala House - Rola Pe Gaya (Remix)@review-of-movies.blogspot.com
12 - Patiala House - Laung Da Lashkara (Remix)@review-of-movies.blogspot.com

Watch Patiala House Videos

Dil Toh Baccha Hai Ji - Music Review

Cast :: Ajay Devgn, Emraan Hashmi & Omi Vaidya

There are good expectations from the music of Dil Toh Baccha Hai Ji for multiple reasons. Firstly and most importantly, the film bings together the team of Pritam, Emraan Hashmi and Ajay Devgn which did wonders in Once Upon A Time In Mumbaai earlier this year. Secondly, the film showcases a new side of Madhur Bhandarkar with romcom being the chosen flavour. For his last musical Fashion, he had extracted some fantastic musical score from Salim-Sulaiman. One expects him to have done something similar for his newest endeavour as well. Neelesh Mishra, Kumaar, Sanjay Chhel and Sayeed Quadri write.

The album begins with a song which is pretty much the kind that one expects from a Pritam-Emraan combo. A soft love song with a childlike feel to it, hi Kuch Dino Se has a quintessential Mohit Chauhan stamp to it as the singer gets behind the mike. Also, one can't miss the countryside melody to it as Pritam spins a tune that is easy on ears and becomes catchy after a single listening itself. While the mukhda hooks you instantly, the 'antara' is set in the 70s and brings one close to the kind of middle-of-the-road cinema which was made in that era. A song by Neelesh Mishra which should get popular in weeks to come.

The song which should appeal instantly to all those who have grown on Sonu Nigam%s songs from Deewana, Yaad and Jaan (three cult non-film albums that the singer made a few years ago) is %Tere Bin%. Easily the song of the album, 'Tere Bin' has some heart felt lyrics by Kumaar (the young man is indeed spinning some very good words film after film) that make an instant connect with those deeply in love. Yet again, the 'sur' of the album doesn%t see any deviation whatsoever with first 'hi Kuch Dino Se' and now %Tere Bin% ensuring that the melody being created here remains intact.

No wonder, this song is special enough to be repeated in a 'remix version' (one doesn't quite mind that here) as well as the 'reprise version' (by Naresh Iyer). Though there is absolutely nothing wrong with Naresh%s version here (in fact it doesn%t even sound much different either), one would still want to go back to what Sonu renders.

To bring in some variety in the album comes 'Yeh Dil Hai Nakhrewala' which is a jazz track sung by new find Shefali Alvaris. Frankly, this is one sing that one takes time to warm up to. Again, the song doesn't offend one by any means. However, in an album where one was primarily hunting for a few more love songs, a naughty track like this which is written by Neelesh Mishra and has a 50s/60s setting to it, isn't quite the kind that one was expecting to come soon after. The 'remix version' though (by Antara Mitra) is spunkier and does catch your attention.

Nevertheless, one moves on to 'Jadugari' which again ends up giving what one was expecting from a Pritam soundtrack here. A rhythmic number which again has soft undertone to it, 'Jadugari' has a soft feel to it, courtesy the manner in which Kunal Ganjawala sings it. While one is tempted to believe that this would be picturised on Emraan Hashmi, it won't be surprising if Ajay Devgn manages to bag it as well. A song with a trademark Pritam feel to it, 'Jadugari' appears effortless and this is where its win lies.

Last to come is 'shuba' which is the first and the only duet in this album made of solo tracks. Antara Mitra is in her elements once again after 'Bheegi Si' (Raajneeti) and it is just apt that she takes the lead in this love song which has some new lyrics by Sayeed Quadri. She is later joined by Kunal Ganjawala who further adds on to the youth appeal of the album. Yet again, 'shuba' is one of those songs where just one listening can confirm that it is a song composed by Pritam.

Dil Toh Baccha Hai Ji is a good album which has a consistent sound to it (except for 'Yeh Dil Hai Nakhrewala' which is not bad but does deviate a little from the rest of the songs). As expected from Madhur Bhandarkar, he makes Pritam compose some classy tunes which go well with the urban romcom genre. Due to this reason, the album doesn't have any hardcore massy number that could have possibly acted as an anchor on which Dil Toh Baccha Hai Ji could have entirely depended upon. This also means that the album would need a certain time period in which it can be nurtured so that it finds widespread all around acceptability. This Pritam soundtrack would find more audience for itself once the film releases and turns into a (possible) success.

Download Dil Toh Baccha Hai Ji MP3 Songs
01 - Abhi Kuch Dino Se@review-of-movies.blogspot.com
02 - Tere Bin@review-of-movies.blogspot.com
03 - Yeh Dil Hai Nakhrewala@review-of-movies.blogspot.com
04 - Jadugari@review-of-movies.blogspot.com
05 - Beshuba@review-of-movies.blogspot.com
06 - Tere Bin (Reprise)@review-of-movies.blogspot.com
07 - Yeh Dil Hai Nakhrewala@review-of-movies.blogspot.com
08 - Tere Bin (Remix)@review-of-movies.blogspot.com

01 - Abhi Kuch Dino Se@review-of-movies.blogspot.com
02 - Tere Bin@review-of-movies.blogspot.com
03 - Yeh Dil Hai Nakhrewala@review-of-movies.blogspot.com
04 - Jadugari@review-of-movies.blogspot.com
05 - Beshuba@review-of-movies.blogspot.com
06 - Tere Bin (Reprise)@review-of-movies.blogspot.com
07 - Yeh Dil Hai Nakhrewala@review-of-movies.blogspot.com
08 - Tere Bin (Remix)@review-of-movies.blogspot.com

Watch Dil Toh Baccha Hai Ji Videos

Yamla Pagla Deewana - Music Review

Cast :: Dharmendra, Sunny Deol, Bobby Deol, Kulraj Randhawa

One does expect the soundtrack of Yamla Pagla Deewana to be loaded with Punjabi flavoured songs from beginning till the end. Reason is obvious - the film has the entire Deol family coming together and unlike Apne, their last outing together, this one is far more 'desi' in appeal. However, one is a tad taken aback to see that instead of one single composer being entrusted with the responsibility to create an out and out masala soundtrack, there are RDB, Nouman Javaid, Anu Malik, Sandesh Shandilya and Rahul B. Seth getting a song or two apiece. Really, at this point one is not really sure about what would actually be in the offing.

Thankfully, the album takes a positive start, what with Dharmendra's smash hit chartbuster 'Yamla Pagla Deewana' making a comeback decades after it first made a country-wide impression. A rearranged version of the Laxmikant-Pyarelal song, 'Yamla Pagla Deewana' retains its overall flavour not just composition-wise but also when it comes to Anand Bakshi's lyrics. RDB does contribute a little with additional lyrics and interludes but the song doesn't loose it's originality at all. Sonu Nigam is just an apt choice to sing this one and along with Nindy Kaur, he indeed does a good job in this song. 'Yamla Pagla Deewana' arrives again in a 'House Mix' version that should find its way into the DJ's list of most preferred songs this season.

Nouman Javaid composes 'Charha De Rang' and one gets a solid impression that the makers were most confident about this track. Reason being that it appears as many as four times in the album. None of them are 'remixes' though and are just different parts of the song. A soothing track sans any Western influence whatsoever, 'Charha De Rang' retains its Indian flavour right through its four and a half minutes duration. A love song which has Ali Pervez Mehdi, Rahat Fateh Ali Khan, Shweta Pandit, Mahalaxmi Iyer and Rahul B.Seth coming in different parts, at places it does remind of 'Saudebaazi' [Aakrosh]. However, the similarity is just restricted to a strong Indian flavour but that's about it. Written by Rahul B.Seth and Nouman Javaid, it is a decent track where female singers actually end up bringing in far more energy than their male counterparts.

One is not too sure about what exactly do the lyrics 'Tinku Jiya' stands for. However, the fact still remains that this Anu Malik composition is what promises to be a 'masala' outing for the masses. Rest assured, if this song is choreographed on the same lines as a 'Beedi Jalaile' [Omkara] or 'Munni Badnaam' [Dabangg] then there won't be anything stopping this one from finding good audience, especially in interiors of the country. A kind of track that one would associate with a 'Bhojpuri' film, 'Tinku Jiya' (which has Anu Malik turning lyricist as well) promises to be a raunchy number with Mamta Sharma and Javed Ali going all out to keep the momentum on.

In an album like Yamla Pagla Deewana, one didn't expect a quintessential love song. However, there is 'Sau Baar' which is inspired by Pakistani-pop and actually reminds one of many a songs that have been sung by Atif Aslam. This time around it is Omar Nadeem at the helm of affairs and while his 'mukhda' is good, the 'antara' that he shares with Shreya Ghoshal turns out to be barely ordinary. Though one would have really wanted this song to be exciting enough, considering the fact that composer Sandesh Shandilya and lyricist Irshad Kamil come together all over again, the results aren't fantastic.

After 'Tinku Jiya', composer/lyricist Anu Malik and singer Mamta Sharma come together all over again for 'Chamki Jawaani'. Initial portion of the song is on the same lines as 'Kajraare' [Bunty Aur Babli]. However, what follows next is not even close as 'Chamki Jawaani' hardly manages to excite. Now this is a surprise since the male singers behind the mike are Daler Mehndi and Master Salim but still, the song turns out to be hardly foot tapping. At this point, one starts getting doubts around the rest of the album since 'Chamki Jawaani' fails to impress.

Unfortunately the album only continues to go downhill with 'Son Titariya', yet another item number with a 'desi' flavour to it, doesn't catch your attention. In fact one starts wondering at this time around that why is Yamla Pagla Deewana taking a UP/Bihar route when one would have expected a trip to Punjab. Is it the 'munni badnaam' factor, one wonders, even as composer Rahul B.Seth doesn't quite succeed in creating any magic whatsoever along with singer Krishna Beura.

Thankfully there is some Punjabi flavour (finally) in the album with 'Kadd Ke Botal' which is written by Dharmendra himself. A celebration track which is put to tune by Rahul B.Seth and has Sukhwinder Singh, Harshdeep and Rosalie Nicholson teaming up for this 'dhol' and 'bhangra' track, 'Kadd Ke Botal' is decent but again not the kind that would top the charts in 'Yamla Pagla Deewana'. The album concludes with a much expected 'Gurbani'. A minute long piece from Shri Guru Granth Sahib, it is a devotional track which is put to tune by Sanjoy Chowdhury and sung by Shahid Mallya.

Even though the album is a loaded affair with as many as seven original pieces, the few tracks that manage to make an impression are (expectedly) the title song from the past and an item number 'Tinku Jiya'. 'Charha De Rang' can be given a few listening as well but the rest don't quite manage to make an impression despite an attempt at winning over the massy audiences. Really, one expected a far better outcome from Yamla Pagla Deewana than what it eventually has to offer.

Download Yamla Pagla Deewana MP3 Songs
01 - Yamla Pagla Deewana@review-of-movies.blogspot.com
02 - Charha De Rang@review-of-movies.blogspot.com
03 - Tinku Jiya@review-of-movies.blogspot.com
04 - Sau Baar@review-of-movies.blogspot.com
05 - Chamki Jawaani@review-of-movies.blogspot.com
06 - Son Titariya@review-of-movies.blogspot.com
07 - Kadd Ke Botal@review-of-movies.blogspot.com
08 - Yamla Pagla Deewana (House Mix)@review-of-movies.blogspot.com
09 - Charha De Rang - 1@review-of-movies.blogspot.com
10 - Charha De Rang - 2@review-of-movies.blogspot.com
11 - Charha De Rang - 3@review-of-movies.blogspot.com
12 - Gurbani@review-of-movies.blogspot.com

01 - Yamla Pagla Deewana@review-of-movies.blogspot.com
02 - Charha De Rang@review-of-movies.blogspot.com
03 - Tinku Jiya@review-of-movies.blogspot.com
04 - Sau Baar@review-of-movies.blogspot.com
05 - Chamki Jawaani@review-of-movies.blogspot.com
06 - Son Titariya@review-of-movies.blogspot.com
07 - Kadd Ke Botal@review-of-movies.blogspot.com
08 - Yamla Pagla Deewana (House Mix)@review-of-movies.blogspot.com
09 - Charha De Rang - 1@review-of-movies.blogspot.com
10 - Charha De Rang - 2@review-of-movies.blogspot.com
11 - Charha De Rang - 3@review-of-movies.blogspot.com
12 - Gurbani@review-of-movies.blogspot.com

Watch Yamla Pagla Deewana Videos

No Problem - Music Review

Cast :: Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Suniel Shetty, Sushmita Sen, Kangna Ranaut, Paresh Rawal, Neetu Chandra

Honestly, one isn't overtly enthusiastic about checking out what exactly does No Problem have in store. It doesn't boast of a quintessential hero-heroine fare. Also, since it is an Anees Bazmee film, it isn't meant to be relying on music as it's USP as the story telling by itself is expected to bring in the audience. Moreover, the earlier promos of the film haven't quite placed music on the forefront. Add to that the fact that three set of composers - Pritam, Sajid-Wajid and Anand Raaj Anand - come together to get the album in place means one is further apprehensive about what really is in store here.

As it turns out, the opening song No Problem doesn't quite turn out to the best attraction that the title track of a film is supposed to offer. Coming from the same school of music as the title track of Welcome, this one does have a catchy rhythm to it with Wajid, Suzzane Demello, Khurram Iqbal, Bhishak Jyoti, Kamal Khan, Suganda Mishra and Altamash Faridi teaming up behind the mike. However, it somehow ends up being 'heard today, forgotten tomorrow' kind of a track. Yes, if the film ends up doing tremendously well at the box office, this song written by Shabbir Ahmed and put to tune by Sajid-Wajid can expect a decent recall value for it. However, unless that happens, this title track would have to make way for other songs in the album.

The album picks up miraculously with the arrival of 'Shakira', a fun number where the focus is on the leading ladies (Sushmita Sen, Kangna) ending up being far more enticing in their moves when compared to none other than Shakira. While Hard Kaur kick starts the song with her rap, Master Salim and Kalpana come together to get an authentic Punjabi flavour to this Pritam composition, hence making Kumaar written 'Shakira' a definite chartbuster in the making. The song, which also has a 'remix version' for itself has a distinct Pritam stamp to it and makes one wonder that why wasn't this celebration track the first to come on air.

Energy of the album continues to be on a rise with 'Babe Di Kripa' being the next to come. This one is akin to listening to two songs with Kalpana bringing on a Western rendition while new find Vikrant Singh brings on a hardcore Punjabi element. Yet another celebration track written by Kumaar, this one is not just foot tapping but also is noticeable for the way Vikran goes about singing this one. An original voice which is not quite an imitation of any other established singer, Vikrant does quite well in 'Babe Di Kripa' which should work well, especially up North with it's 'remix version' expected to find it's way into the DJ's collection.

Surprisingly, just when No Problem was reaching its peak comes a low in the form of 'We Are Innocent' which turns out to be totally wannabe. In fact after doubly checking the credit details, you are shocked to know that the man at the helm of affairs is none other than Pritam himself. His tune sounds like belonging to the world of late 80s/early 90s when such campus tracks like these were in the vogue. A forgettable track which is sung by Suraj Jagan and written by Kumaar, it tries to be all cool and fun but falls flat.

Thankfully it is the unusual suspect Anand Raj Anand who comes to the rescue with 'Mast Punjabi', third Punjabi based track in a row after 'Shakira' and 'Babe Di Kripa'. Does it work? Oh of course yes, as it turns out to be a highly addictive celebration track that gets hooked on to you in the first listening itself. In fact hearing this song (which comes again in a 'remix' version) makes you believe that Anand Raaj Anand needs inspiration to come up with a song belonging to the chartbuster variety since 'Mast Punjabi' is definitely one instance where he has delivered well. In fact he plays a triple role of a composer, lyricist as well as singer here with company from Sunishi Chauhan.

As stated earlier, there weren't many expectations from the music of No Problem. However, it ends up throwing a pleasant surprise with three of it's songs - 'Shakira', 'Mast Punjabi' and 'Babe Di Kripa' ensuring that there are enough foot tapping elements in the album. All that the makers have to do now is get aggressive on each of these three songs. Moreover, if the film turns out to be a huge success, these songs will have a greater distance to travel for sure.

Download No Problem MP3 Songs
01 - No Problem (2010) - No Problem@review-of-movies.blogspot.com
02 - No Problem (2010) - Shakira@review-of-movies.blogspot.com
03 - No Problem (2010) - Babe Di Kripa@review-of-movies.blogspot.com
04 - No Problem (2010) - We Are Innocent@review-of-movies.blogspot.com
05 - No Problem (2010) - Mast Punjabi@review-of-movies.blogspot.com
06 - No Problem (2010) - Babe Di Kripa (Remix)@review-of-movies.blogspot.com
07 - No Problem (2010) - Shakira (Remix)@review-of-movies.blogspot.com
08 - No Problem (2010) - Mast Punjabi (Remix)@review-of-movies.blogspot.com

01 - No Problem (2010) - No Problem@review-of-movies.blogspot.com
02 - No Problem (2010) - Shakira@review-of-movies.blogspot.com
03 - No Problem (2010) - Babe Di Kripa@review-of-movies.blogspot.com
04 - No Problem (2010) - We Are Innocent@review-of-movies.blogspot.com
05 - No Problem (2010) - Mast Punjabi@review-of-movies.blogspot.com
06 - No Problem (2010) - Babe Di Kripa (Remix)@review-of-movies.blogspot.com
07 - No Problem (2010) - Shakira (Remix)@review-of-movies.blogspot.com
08 - No Problem (2010) - Mast Punjabi (Remix)@review-of-movies.blogspot.com

Watch No Problem Videos

Tees Maar Khan - Music Review

Cast :: Akshay Kumar, Katrina Kaif & Akshaye Khanna

Can you make a wild guess that which film was most expected this year as well in music? The Answer is “TEES MAAR KHAN” and if you ask the reason, that is - “Farah Khan-Vishal-Shekhar” Trio. Om SHANTI OM was the blockbuster of all time and the same in music. 'Dard-E-Disco', 'Ajab Si' were the masterpieces of their time. So anyone would expect awesome compositions from TEES MAAR KHAN. And anyway, the production house has already created havoc propaganda for the music of the film. They are still claiming “SHEILA KI JAWANI” the item song of the year, two greatest enemies in the song “WALLAH RE WALLAH” & they have already telecast-ed the title track and we have also loved it.

You will hear the most strange voice making the introduction of the song. Then side vocals arrive saying “Abhi Abhi Mili Khabar Ke Anusaar...”. Then the man Sonu Nigam starts to sing the most 'Crooky' song of the year “TEES MAAR KHAN”. Picturised on the full cast of the movie, the title track is impressive enough to top the charts soon. A damn confident dialog in vocal of Akshay Kumar himself adds charm to the song. Then unnecassary “Mai Baap” type of screams arrive & from then, the charm stars to lose and slowly, the song begins to change track and at last with some dhols, trumpets and “Tees Maar Khan” screams playing in the background, the song finally comes to an end. The most best part of the song was the theme music playing in the background which reminds us of some 70's or 80's movies that were based on robbery and criminals. Allover, a title track can't be better than this.

Remember Chhaliya? The heroine in mini dresses flaunting to raise your temperature. The introduction by a Harmonium already starts to groove you to the rhythm and later, drums and thumps unitedly will make you sweep you off your feat. This most-promised, various times claimed as the best item song of the season can't make you sit still in your chair. One of the most groovy item numbers of all time, “SHEILA KI JAWANI” is sure to create a sensation in no time. Superly sung by Sunidhi Chauhan, the song impresses you by the passion, maturity & temptation within it. Timely vocals(mostly Qawali) by Vishal Dadlani also create a great appeal. As a furious feminine track, this one's gonna stay and gonna stay for a long period and believe me, This Song's “Too Sexy For You”.

Rocking Qawali is nothing new today. But the sensations gonna arrive when Salman 'DABANGG' Khan, Katrina 'SHEILA' Kaif & Akshay 'Tees Maar Khan' Kumar come together to shake you heads by Qawali. If you deduct extra beat, then “WALLAH RE WALLAH” is totally a Qawali that has every sign to be a authentic one. Some artificiality has been added by the composer thinking about the listeners but they didn't need to do that. Some not-so-shiny voices like Kamal Khan, Shekhar Ravijani, Raja Hassan along with Shreya Ghoshal set the floor on fire this time unitedly. You are sure gonna see some college gores shaking their booty to this song competing with the stars on-screen. You have to come to the decision that Vishal-Shekhar delivers variety with quality.

Make way for the fourth track of the album which is entitled “BADE DILWALA” and is sung by Sukhwinder Singh along with Shreya Ghoshal. We Have heard this particular theme based song previously which is none other than “HUD HUD DABANGG”. But this one does not make such an appeal. The song does make a good effort by different & fresh lyrics by Anvita Dutt Guptan but loses tempo as it follows. Allover, this heroic number's a decent listen.

Make way for the whole team of vocalist coming from Television. Prajakta Shukre, obtained 4th place in Indian Idol Season 1(Sony); Abhijeet Sawant, Winner of Indian Idol Season 1(Sony); Harshit Saxena, Runner-up of Amul Star Voice Of India(Star Plus) & Debojit, Winner Of Zee Sa Re Ga Ma Pa Challenge 2005(Zee TV) – these four most-talented champs come together for the final track of the album “HAPPY ENDING”. Recently, we have listened “Apna Har Din” from Golmaal 3 which one was almost same like “Happy Ending”. A Free-spirited, happily lyricised by Anivita Dutt & sportingly composed by Vishal-Shekhar, “Happy Ending” surely makes an happy ending for this gonna-be-a-superhit music album.


TEES MAAR KHAN is the specific type of album which consists versatile type of tracks. Where you shake your booty with tracks like “SHEILA KI JAWANI”, “WALLAH RE WALLAH”, you can nod your heads with “HAPPY ENDING” and sing along the “TEES MAAR KHAN” way. With such reputation, expectations & big-budget, the music is appropriate and respectable, but one or two tracks more would have been more sufficient or we should say satisfying. Even with a bit displeased heart, every listener will move their body to the numbers. TEES MAAR KHAN is completely unemotional and fun-loving album in every means that doesn't have a single boring second to make you yawn. So, start pleasing yourselves by listening to the groovy songs of this big-budgeted, most-expected & most-promising movie that is to make arrival at the final moment of this year.


Download Tees Maar Khan MP3 Songs

01 - Tees Maar Khan - Tees Maar Khan@review-of-movies.blogspot.com

02 - Tees Maar Khan - Sheila Ki Jawani@review-of-movies.blogspot.com

03 - Tees Maar Khan - Wallah Re Wallah@review-of-movies.blogspot.com

04 - Tees Maar Khan - Badey Dilwala@review-of-movies.blogspot.com

05 - Tees Maar Khan - Happy Ending@review-of-movies.blogspot.com

06 - Tees Maar Khan - Tees Maar Khan (Remix)@review-of-movies.blogspot.com

07 - Tees Maar Khan - Sheila Ki Jawani (Remix)@review-of-movies.blogspot.com

08 - Tees Maar Khan - Wallah Re Wallah (Remix)@review-of-movies.blogspot.com

09 - Tees Maar Khan - Badey Dilwala (Remix)@review-of-movies.blogspot.com

01 - Tees Maar Khan - Tees Maar Khan@review-of-movies.blogspot.com

02 - Tees Maar Khan - Sheila Ki Jawani@review-of-movies.blogspot.com

03 - Tees Maar Khan - Wallah Re Wallah@review-of-movies.blogspot.com

04 - Tees Maar Khan - Badey Dilwala@review-of-movies.blogspot.com

05 - Tees Maar Khan - Happy Ending@review-of-movies.blogspot.com

06 - Tees Maar Khan - Tees Maar Khan (Remix)@review-of-movies.blogspot.com

07 - Tees Maar Khan - Sheila Ki Jawani (Remix)@review-of-movies.blogspot.com

08 - Tees Maar Khan - Wallah Re Wallah (Remix)@review-of-movies.blogspot.com

09 - Tees Maar Khan - Badey Dilwala (Remix)@review-of-movies.blogspot.com

Watch Tees Maar Khan Videos

Khelein Hum Jee Jaan Sey - Music Review

Cast :: Abhishek Bachchan , Deepika Padukone

There are good expectations from the music of Khelein Hum Jee Jaan Sey. After all Ashutosh Gowariker has been an accomplished film maker and when it comes to films that bring with them a sense of patriotism (Lagaan, Swades), the music has always been a highlight. He may have moved on from A.R. Rahman to Sohail Sen but the latter's compositions in What's Your Raashee? had proved that the replacement was not a bad idea at all. Now that Ashu has entrusted Sohail to create a much bigger (and relatively serious) soundtrack in the form of Khelein Hum Jee Jaan Sey, one hears the album with keen interest to know if the man manages to deliver.

First things first - Khelein Hum Jee Jaan Sey takes time to sink in. Music here is not bad by any means but it is not instant coffee that hooks on to audience in the very first listening. In fact one has to give the album a hearing - once, twice, thrice - and it is only then that the songs start registering themselves. This is what is evidenced in 'Yeh Des Hai Mera' which reminds one of the namesake tracks in Swades. However, the mood, treatment and setting of the song is totally different here as the revolutionaries get together to see that light at the end of the tunnel. Sung by Sohail Sen himself, this soft sounding number has a distinct Rahman touch to it and gives the album an expected start.

There is some fun immediately after with 'Naiyn Tere' following the same route as SD Burman's 'Dheere Se Jaana Bagiyan Mein'. This one is far peppier though and has a sweet innocent feel to it that makes you fall in love with it instantly. In the times when beats have taken over the proceedings, the world is dancing to the tune of 'Munni Badnaam' and rock is becoming an integral part of Bollywood compositions, 'Naiyan Tere' is like a whiff of fresh air. Credit must also go to Pamela Jain and Ranjini Jose who get the flavour of the first half of 20th century bang on and remind one of the eras gone by. 'Sad version' of the same song also arrives later in the album. This time around, the song is mainly hummed with instrumentals and chorus adding on the appeal.

What one was waiting for till now was an anthem song though and one finally gets to hear it in the form of the title song 'Khelein Hum Jee Jaan Sey'. Taking one back to the days of Lagaan, this anthem track comes with just the right kind of energy, pace, exuberance and styling that establishes loud and clear that one would hear this piece multiple times in the film's narrative. Following Rahman approach, right from the manner in which it is tuned to orchestrated, 'Khelein Hum Jee Jaan Sey' - which is a kids chorus sung quite effectively by members of Suresh Wadkar Ajivasan Music Academy - should find audience for itself.

If you liked 'Naiyan Tere', rest assured you would play on 'Sapne Saloney' repeatedly as well. A love song about the protagonist promising his beloved all the dreams to eventually come true, provided he first attains what he has set out for in life, 'Sapne Saloney' has a serene appeal to it with no Western adulteration whatsoever. While Javed Akhtar's lyrics here are simple and effective, singing by Sohail Sen and Pamela Jain is heartfelt as well that makes it the kind of number which fits in perfectly well with the setting of Khelein Hum Jee Jaan Sey.

If you have caught the promo of Khelein Hum Jee Jaan Sey, you would have heard the 'Vande Mataram' piece that goes in the background. Full fledged version of this song is heard here with the words being translated from Sanskrit to Hindi. Cine Singers Association Chorus Group delivers quite well in this high energy track that should add on to the momentum that visuals are expected to create in this action-drama affair. A much shorter version of 'Vande Mataram' appears later in the album with just strings doing a good enough job to keep the composition flowing.

From this point on, the album is entirely made of instrumental tracks which have mainly been set for different moods in the film. 'Long Live Chittagong' carries the exuberance of Khelein Hum Jee Jaan Sey with a feel good factor to it that enlivens the proceedings. The longest of them all is 'The Teenagers Whistle' which again picks up from the title track Khelein Hum Jee Jaan Sey and makes one suspect if the sound of whistle would be a code call for the teenage revolutionaries in the film.

A pensive mood is created soon after with 'Surjya's Sorrow' and the way Sohail Sen brings flute, strings and chorus together, it does manage to make an impact. There is an instant shift in mood soon after with 'The Escape', as is expected from the theme, picking on pace and moving ahead quite rapidly. Last to arrive is 'Revolutionary Comrades' which starts off on a slow note with the sound of 'Yeh Des Hai Mera', continues to gain momentum and turn ferocious in his last one minute. Expect some dramatic fireworks at the juncture in the narrative when it appears.

Khelein Hum Jee Jaan Sey is a good quality album which, as stated above, needs multiple hearing from audience before it settles in entirely. An album like this is different from what is being churned out week after week and since it belongs to an era gone by, it further needs to gain a solid platform for itself before it consolidates its position. While majority of album is situational - whether songs or theme pieces - and does register an impact in each of the tracks, the ones that should find instant attention are the title track 'Khelein Hum Jee Jaan Sey' and 'Naiyn Tere'. Later, as the film manages a standing at the box office, 'Yeh Des Hai Mera' and 'Sapne Salone' could also find an audience building over in the long run.

Download Khelein Hum Jee Jaan Sey MP3 Songs
01 - Khelein Hum Jee Jaan Sey - Yeh Des Hai Mera@review-of-movies.blogspot.com
02 - Khelein Hum Jee Jaan Sey - Naiyn Tere@review-of-movies.blogspot.com
03 - Khelein Hum Jee Jaan Sey - Khelein Hum Jee Jaan Sey@review-of-movies.blogspot.com
04 - Khelein Hum Jee Jaan Sey - Sapne Saloney Hai Sach@review-of-movies.blogspot.com
05 - Khelein Hum Jee Jaan Sey - Vande Mataram (Revised Sanskrit To Hindi)@review-of-movies.blogspot.com
06 - Khelein Hum Jee Jaan Sey - Long Live Chittagong@review-of-movies.blogspot.com
07 - Khelein Hum Jee Jaan Sey - The Teenagers Whistle@review-of-movies.blogspot.com
08 - Khelein Hum Jee Jaan Sey - Surjya's Sorrow@review-of-movies.blogspot.com
09 - Khelein Hum Jee Jaan Sey - Vande Mataram@review-of-movies.blogspot.com
10 - Khelein Hum Jee Jaan Sey - The Escape@review-of-movies.blogspot.com
11 - Khelein Hum Jee Jaan Sey - Naiyn Tere (Sad)@review-of-movies.blogspot.com
12 - Khelein Hum Jee Jaan Sey - Revolutionary Comrades (Soft)@review-of-movies.blogspot.com


01 - Khelein Hum Jee Jaan Sey - Yeh Des Hai Mera@review-of-movies.blogspot.com
02 - Khelein Hum Jee Jaan Sey - Naiyn Tere@review-of-movies.blogspot.com
03 - Khelein Hum Jee Jaan Sey - Khelein Hum Jee Jaan Sey@review-of-movies.blogspot.com
04 - Khelein Hum Jee Jaan Sey - Sapne Saloney Hai Sach@review-of-movies.blogspot.com
05 - Khelein Hum Jee Jaan Sey - Vande Mataram (Revised Sanskrit To Hindi)@review-of-movies.blogspot.com
06 - Khelein Hum Jee Jaan Sey - Long Live Chittagong@review-of-movies.blogspot.com
07 - Khelein Hum Jee Jaan Sey - The Teenagers Whistle@review-of-movies.blogspot.com
08 - Khelein Hum Jee Jaan Sey - Surjya's Sorrow@review-of-movies.blogspot.com
09 - Khelein Hum Jee Jaan Sey - Vande Mataram@review-of-movies.blogspot.com
10 - Khelein Hum Jee Jaan Sey - The Escape@review-of-movies.blogspot.com
11 - Khelein Hum Jee Jaan Sey - Naiyn Tere (Sad)@review-of-movies.blogspot.com
12 - Khelein Hum Jee Jaan Sey - Revolutionary Comrades (Soft)@review-of-movies.blogspot.com

Watch Khelein Hum Jee Jaan Sey Videos