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Once Upon A Time In Mumbaai - Movie Review
Cast :: Ajay Devgn, Emraan Hashmi, Kangna Ranaut, Prachi DesaiThe fascination with gangster movies has been immense worldwide. On this side of the Atlantic, several gangster films have left giant footprints on the sands of time. Films like DEEWAAR [Yash Chopra], DHARMATMA [Feroz Khan], NAYAKAN [Mani Ratnam], ANGAAR [Shashilal Nair], PARINDA [Vidhu Vinod Chopra], AGNEEPATH [Mukul Anand], SATYA and COMPANY [Ramgopal Varma], VAASTAV [Mahesh Manjrekar], GANGSTER [Anurag Basu], D [Vishram Sawant] and SHOOTOUT AT LOKHANDWALA [Apoorva Lakhia] have tremendous recall value to this day.
ONCE UPON A TIME IN MUMBAAI recreates an era that so many of us have left behind and for those who arrived on this planet post 80s, I am sure, they must have visited the era through some medium or the other, mainly movies and internet or during their academic careers.
ONCE UPON A TIME IN MUMBAAI is not part of history, but it attempts to portray on celluloid tales that are now considered legendary, that continue to make news to this date. Of course, the disclaimer claims that it bears no resemblance to a particular person, but you can't help but draw parallels with real-life characters. It could be a coincidence, though!
ONCE UPON A TIME IN MUMBAAI is a fascinating story that talks of how the mafia came into force for the first time in Mumbai. A thriller that depicts the crime scenario in Mumbai during the 70s and 80s. The rise to power of two young boys, in different age-groups, who grew up to 'rule' the streets of Mumbai.
Since there's tremendous speculation in the media that ONCE UPON A TIME IN MUMBAAI chronicles the lives of Haji Mastan and Dawood Ibrahim, the curiosity to watch the film increases manifold. Of course, I am no one to comment if it's actually based on their lives or merely borrows a few incidents from their lives or is pure fiction, but as a cinematic experience, I couldn't help getting transported to the bygone era, getting sucked into a world I had no clue of.
Besides the gangster chapter, one enjoys this film also because of its riveting drama and the power play. It could've been set anywhere, in the corporate world, in politics, in the film industry. Anywhere. The rise and subsequent fall of the King and the emergence of the Prince as the super power is what makes this film a compelling watch. The icing on the cake is the magical and lilting song compositions that are juxtaposed so beautifully in the goings-on. On the sidelines of the power play, a game of hearts is being played and that's what makes ONCE UPON A TIME IN MUMBAAI a wholesome movie experience.
Final word? ONCE UPON A TIME IN MUMBAAI is not to be missed. Set everything aside this coming weekend and watch this one. Strongly recommended!
The film, set primarily in 1970s Mumbai, follows the rise of Sultan Mirza [Ajay Devgn] and the conflict that ensues, when his protégé Shoaib Khan [Emraan Hashmi] challenges his supremacy and usurps power to rule the murky underbelly of Mumbai.
ONCE UPON A TIME IN MUMBAAI is a power-packed drama that makes you thirst for more. You rewind to an era of romance, smuggling, cabaret and mafia, but director Milan Luthria and writer Rajat Aroraa ensure that there's no sleaze or bloodshed-n-gore. In fact, there's hardly any violent sequence in the movie, except for one when Ajay hammers a cop during a naaka-bandi.
ONCE UPON A TIME IN MUMBAAI is not a biopic, but narrates the story through the eyes of a police officer [Randeep Hooda], who traces the changing face of the Mumbai underworld. The screenplay encompasses several moments that may compel you to draw parallels with real life, but talking strictly from the movie-going point of view, it satiates you completely. In fact, the writing is cohesive, smart and watertight and there's never a dull moment. Besides, there's no time to think whether it's factual or loosely based on someone's life or a work of fiction.
As I look back and recall the movie, a number of sequences flash across my mind. Note the sequence when Ajay divides the city amongst gangsters... The train sequence at the very start... The introduction of Emraan Hashmi's character... Randeep Hooda's landing on a film set and confiscating the equipment... The subsequent sequence, when Randeep is framed for accepting bribe... The romantic moments between Emraan and Prachi in the jewellery shop... Emraan starting his business and the confrontation that ensues between Ajay and Randeep... The showdown between Ajay and Emraan, with Ajay slapping Emraan in full public view... The conclusion to the story is equally novel. It stays in your memory and sets you thinking.
On the flipside, the story begins with Randeep attempting suicide, but the writer should've cited the reason that prompted him to take that drastic step. Sure, there's a mention at the start, but it doesn't register well. Also, you are keen to know the chain of events that drove Randeep to suicide. Also, the pace slackens in the middle of the second hour, but picks up dramatically when Ajay returns from Delhi and confronts Emraan. Besides, how I wish the film had a shorter, mass appealing Hindi title to attract more eyeballs and a big jump in footfalls [at single screens and smaller centres mainly] for a mass appealing subject like this.
This is director Milan Luthria's best work to date, no two opinions on that. Recreating the bygone era is tough and the director, the writer and the art director [Nitin Chandrakant Desai] deserve brownie points for giving the film that authentic feel. In fact, the film wears a chic retro look throughout. Even otherwise, Milan's handling of the subject material is exemplary. This film is sure to catapult him to the top league. Rajat Aroraa's screenplay is powerful and engaging. The writer marries heavy-duty drama and subtle and delicate emotions beautifully. I would like to make a special note of the dialogue, also penned by Rajat Aroraa, which are simply fantastic. In fact, the dialogue writing is such it elevates even an ordinary sequence to great levels. One rarely comes across such potent dialogue in today's times.
Pritam's music is another ace. Injecting songs and that too a terrific soundtrack in a gangster film is tough. He did it in GANGSTER. He does it again in ONCE UPON A TIME IN MUMBAAI. 'Pee Loon', 'Tum Jo Aaye' and the remix of APNA DESH track are super compositions, which are also placed appropriately in the plotline. Cinematography [Aseem Mishra] captures the look to perfection. Akiv Ali's editing is sharp.
ONCE UPON A TIME IN MUMBAAI is embellished with fantastic performances. Ajay Devgn is splendid as Sultan. The actor had enacted a similar role in COMPANY, but it must be said that his interpretation is so different in ONCE UPON A TIME IN MUMBAAI. He adds so much depth to the character, which only goes to prove his range and versatility. This is, without a trace of doubt, Ajay's finest work so far. Emraan Hashmi is brilliant as the power greedy, wildly ambitious rebel. He plays the dark character to perfection. He's incredible in the penultimate moments of the film in particular. Besides carrying the look to perfection, Emraan is sure to break-free from the lover boy, serial kisser image with this film.
Kangna Ranaut is extremely natural and performs very well. Also, she brings so much of sensuality and glamour to her character [an actress of the 70s]. In fact, Ajay and Kangna make a wonderful on-screen pair. Prachi Desai is a bundle of talent who proves her mettle yet again. She's proficient in emotional scenes and sizzles in the BOBBY song-sequence. Besides, the chemistry between Emraan and Prachi is exciting. Randeep Hooda is top notch. Even though the film belongs to Ajay and Emraan, Randeep makes his presence felt with a powerful performance. This film should prove to be the turning point in his career.
Avtar Gill [as Home Minister] is good. Naved Aslam [as Patrick, Ajay's trusted lieutenant] is perfect. Mehul Bhojak [as Emraan's friend Javed] is competent. Ravi Khanwilkar [as Vardhan] is satisfactory. Gauhar Khan sizzles in the remix track.
On the whole, ONCE UPON A TIME IN MUMBAAI is an extremely well-made film that lingers in your memory. The realism coupled with stellar direction, power-packed writing, exceptional performances and ear-pleasing tunes are its trump cards. An outstanding cinematic experience!
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Kajol, not happy with her hubby
Kajol is very angry with her husband, Ajay Devgan and she has valid reasons to do so. The reason behind her anger is that Ajay has not get the enough time to catch her My Name Is Khan. And when he was questioned about this he was found scratching his head as he had no answers.
However Ajay had promised her that he would catch her movies as soon as he completes the promotion of his new release “Once Upon A Time In Mumbaai”. He also said that he is very much proud of her wife’s work and quite impressed with her act in upcoming movie, We are a Family and also complemented her for her great looks.
However Ajay had promised her that he would catch her movies as soon as he completes the promotion of his new release “Once Upon A Time In Mumbaai”. He also said that he is very much proud of her wife’s work and quite impressed with her act in upcoming movie, We are a Family and also complemented her for her great looks.
Rajnikanth, Aishwarya Endhiran The Robot Movie Wallpapers, Photos, Pics
Rajnikanth's Endhiran The Robot is a big-budget 2010 sci-fi Tamil Movie directed by famous Tamil director Shankar, producer is Kalanidhi Maran and music given by Oscar winner A..R.Rahman. The movie lead star cast is Aishwarya and Rajnikant. Endhiran is a movie about a robot - an android and sees the Tamil cinema debut of Bollywood actress Aishwarya Rai Bachcha who will co-star with south Indian superstar Rajnikanth. Danny Denzongpa, Santhanam, Karunas and more are also in the cast. In this movie, Endhiran The Robot, Rajni plays dual roles. One is a scientist and the other is a Robot. Scientist Rajni creates a Robot with artificial intelligence – like that of sixth sense in humans – to help human beings and to the development of the country. ‘Endhiran‘ had started rolling in September 2008 and has been shot across various parts of the World including United States, Switzerland, South Africa and Peru.
Hello Darling - Music Review
Cast :: Celina Jaitly, Gul Panag, Eesha Koppikhar & Javed JaffreyIt is ironical that despite the name Pritam attached to the soundtrack of Hello Darling, you play on the album with minimum expectations. There are couple of reasons for that. First and foremost it is not a quintessential romantic tale where one can expect the composer to come up with some of his best tunes. Secondly, the film has been in the making for quite some time now and due to the rapidly changing musical scene, one is apprehensive about what Hello Darling would have in the offing. Add to that the fact that it has been a while since one heard a popular soundtrack coming from the house of Subhash Ghai. Due to this, one doesn't get overtly excited to know what is in store from Hello Darling that has Shabbir Ahmed contributing with most number of songs (three) as a lyricist with Ashish Pandit and Kumaar coming up with a song apiece.
It was four decades back when 'Aa Jaane Jaan' was heard first in Inteqam. While there have been countless 'remix versions' that have been made in the last decade, it is for the first time that a new version has been created for a film. Just as has been the case in 'Aapka Kya Hoga - Dhanno' [Housefull] and 'Parda' [Once Upon A Time In Mumbaai] where new lyrics were added to the original tracks with just the 'mukhda' kept intact, the same holds good for 'Aa Jaane Jaan' too with Shabbir Ahmed adding his own words to the song. While Akriti Kakkar and Antara Mitra are fine behind the mike, the interspersing rendition by Javed Jaffery is totally 80s. Also, the sound of 'aau' a la Michael Jackson is totally passe. The song doesn't quite have in it to cover much distance here.
Thankfully, Pritam gets into his zone, well to some extent at least, with a 'dholki' driven 'Band Baaja' that hints of Imtiaz Ali school of music. Written by Ashish Pandit, this is a fun celebration number about a guy bringing himself to his bride's place with full arrangement of - as the lyrics suggest - 'Band Baaja'. Rana Mazumder, who has been working with Pritam for a while now, gets a major song to his credit as he goes full throated in a manner similar to that of Neeraj Sridhar and Mika and does a rather good job. Richa Sharma and Ritu Pathak bring in a folksy flavour to this song as well which is instantly likeable and is foot tapping. The song rightfully gets a 'remix version' for itself and one doesn't mind hearing it all over again.
It is time to hear something trademark Pritam from the very opening note of 'Dil To Saala'. Of course the song does seem 3-4 years late in the day but one doesn't mind that, courtesy the kind of spunk that Sunidhi Chauhan brings in her rendition. Foot tapping from start to finish, this number written by Kumaar has lyrics that go like 'Dil To Saala Ullu Ka Paatha Hai'. Well, all that one thinks at this moment is that after Kaminey, Lafangey Parindey and 'Ullu Ka Patha', what next could possibly be in store? Nevertheless, the number works as instant coffee and should be a fun watch on screen.
However, what follows next is barely passable as 'Attrah Baras Ki' makes one immediately feel that this could well be a song entirely designed by Subhash Ghai himself. Stuck in a time warp, right from Shabbir Ahmed's lyrics, Suzzane D'Mello's singing and of course Pritam's composition, there isn't much that makes you feel that the song has been created in the current decade. Until and unless the three leading ladies of Hello Darling sizzle on screen during this song, there isn't much life that can be expected for 'Attrah Baras Ki'.
Shabbir Ahmed also writes the last song in the album, 'Working Girls', which has Shweta Pandit, Ritu Pathak and Priyadarshini coming together as the women force. This has to be one of the weakest songs in the album as it doesn't go beyond sounding like an ad jingle. There is a Westernized treatment to the song but all it does is reminding one of the kind of title sequence songs from TV serials around women power.
There were never many expectations to begin with from Hello Darling so there is no disappointment as well after one is through hearing the entire soundtrack. In fact it is just fair that eventually there are at least a couple of songs that still turn out to be reasonably entertaining - 'Band Baaja' and 'Dil To Saala'. However, with the limited promotional window that Hello Darling has, it would be difficult for the album to sustain itself on the power of just these two songs, which by themselves are not exceptional to begin with.
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01 - Aa Jaane Jaan@review-of-movies.blogspot.com
02 - Band Baaja@review-of-movies.blogspot.com
03 - Dil To Saala@review-of-movies.blogspot.com
04 - Attrah Baras Ki@review-of-movies.blogspot.com
05 - Working Girls@review-of-movies.blogspot.com
06 - Band Baaja (Remix)@review-of-movies.blogspot.com
01 - Aa Jaane Jaan@review-of-movies.blogspot.com
02 - Band Baaja@review-of-movies.blogspot.com
03 - Dil To Saala@review-of-movies.blogspot.com
04 - Attrah Baras Ki@review-of-movies.blogspot.com
05 - Working Girls@review-of-movies.blogspot.com
06 - Band Baaja (Remix)@review-of-movies.blogspot.com
Watch Videos
It was four decades back when 'Aa Jaane Jaan' was heard first in Inteqam. While there have been countless 'remix versions' that have been made in the last decade, it is for the first time that a new version has been created for a film. Just as has been the case in 'Aapka Kya Hoga - Dhanno' [Housefull] and 'Parda' [Once Upon A Time In Mumbaai] where new lyrics were added to the original tracks with just the 'mukhda' kept intact, the same holds good for 'Aa Jaane Jaan' too with Shabbir Ahmed adding his own words to the song. While Akriti Kakkar and Antara Mitra are fine behind the mike, the interspersing rendition by Javed Jaffery is totally 80s. Also, the sound of 'aau' a la Michael Jackson is totally passe. The song doesn't quite have in it to cover much distance here.
Thankfully, Pritam gets into his zone, well to some extent at least, with a 'dholki' driven 'Band Baaja' that hints of Imtiaz Ali school of music. Written by Ashish Pandit, this is a fun celebration number about a guy bringing himself to his bride's place with full arrangement of - as the lyrics suggest - 'Band Baaja'. Rana Mazumder, who has been working with Pritam for a while now, gets a major song to his credit as he goes full throated in a manner similar to that of Neeraj Sridhar and Mika and does a rather good job. Richa Sharma and Ritu Pathak bring in a folksy flavour to this song as well which is instantly likeable and is foot tapping. The song rightfully gets a 'remix version' for itself and one doesn't mind hearing it all over again.
It is time to hear something trademark Pritam from the very opening note of 'Dil To Saala'. Of course the song does seem 3-4 years late in the day but one doesn't mind that, courtesy the kind of spunk that Sunidhi Chauhan brings in her rendition. Foot tapping from start to finish, this number written by Kumaar has lyrics that go like 'Dil To Saala Ullu Ka Paatha Hai'. Well, all that one thinks at this moment is that after Kaminey, Lafangey Parindey and 'Ullu Ka Patha', what next could possibly be in store? Nevertheless, the number works as instant coffee and should be a fun watch on screen.
However, what follows next is barely passable as 'Attrah Baras Ki' makes one immediately feel that this could well be a song entirely designed by Subhash Ghai himself. Stuck in a time warp, right from Shabbir Ahmed's lyrics, Suzzane D'Mello's singing and of course Pritam's composition, there isn't much that makes you feel that the song has been created in the current decade. Until and unless the three leading ladies of Hello Darling sizzle on screen during this song, there isn't much life that can be expected for 'Attrah Baras Ki'.
Shabbir Ahmed also writes the last song in the album, 'Working Girls', which has Shweta Pandit, Ritu Pathak and Priyadarshini coming together as the women force. This has to be one of the weakest songs in the album as it doesn't go beyond sounding like an ad jingle. There is a Westernized treatment to the song but all it does is reminding one of the kind of title sequence songs from TV serials around women power.
There were never many expectations to begin with from Hello Darling so there is no disappointment as well after one is through hearing the entire soundtrack. In fact it is just fair that eventually there are at least a couple of songs that still turn out to be reasonably entertaining - 'Band Baaja' and 'Dil To Saala'. However, with the limited promotional window that Hello Darling has, it would be difficult for the album to sustain itself on the power of just these two songs, which by themselves are not exceptional to begin with.
Download MP3 Songs
01 - Aa Jaane Jaan@review-of-movies.blogspot.com
02 - Band Baaja@review-of-movies.blogspot.com
03 - Dil To Saala@review-of-movies.blogspot.com
04 - Attrah Baras Ki@review-of-movies.blogspot.com
05 - Working Girls@review-of-movies.blogspot.com
06 - Band Baaja (Remix)@review-of-movies.blogspot.com
01 - Aa Jaane Jaan@review-of-movies.blogspot.com
02 - Band Baaja@review-of-movies.blogspot.com
03 - Dil To Saala@review-of-movies.blogspot.com
04 - Attrah Baras Ki@review-of-movies.blogspot.com
05 - Working Girls@review-of-movies.blogspot.com
06 - Band Baaja (Remix)@review-of-movies.blogspot.com
Watch Videos
Rajnikanth's Endhiran -The Robot Movie Reviews, Wallpapers, Trailers, Photos
Rajnikanth's Endhiran The Robot is a big-budget 2010 sci-fi Tamil Movie directed by famous Tamil director Shankar, producer is Kalanidhi Maran and music given by Oscar winner A..R.Rahman. The movie lead star cast is Aishwarya and Rajnikant. Endhiran is a movie about a robot - an android and sees the Tamil cinema debut of Bollywood actress Aishwarya Rai Bachcha who will co-star with south Indian superstar Rajnikanth. Danny Denzongpa, Santhanam, Karunas and more are also in the cast. Many efforts were taken by the Endhiran movie Director Shankar to bring the most awaited, most expected pair to bring on screen, i.e. Superstar Rajinikanth – Aishwarya Rai Bachan. The movie stars Superstar Rajinikanth in double action, also the most facisnating aspect is that Rajini acts as a which is the most inspring reason for the many fans of superstar all over the world who are most eagerly waiting for Enthiran release. The film is expected to cost 120 crores, one of the highest ever film budgets of the Chennai film industry and The movie set to release on 3rd September 2010.In this movie, Endhiran The Robot, Rajni plays dual roles. One is a scientist and the other is a Robot. Scientist Rajni creates a Robot with artificial intelligence – like that of sixth sense in humans – to help human beings and to the development of the country. Scientist Rajni fights to save the Robot falling into the hand of the enemies and destroys the evil forces using the Robot itself. ‘Endhiran‘ had started rolling in September 2008 and has been shot across various parts of the World including United States, Switzerland, South Africa and Peru.
Endhiran – The Robot Movie Cast and Crew:
Star Cast: Rajinikanth…as…Vaseegaran/Chitti, Aishwarya Rai…as…Sharmili, Danny Denzongpa…as…Shivaji Santhanam, Devadarshini Karunas
Director : S. Shankar
Producer : Kalanidhi Maran
Music Director : A R Rahman
Lyrics : Vairamuthu, Pa. Vijay
Cinematography : R. Ratnavelu
Art : Sabu Cyril
Editor : Antony
Written by : Sujatha & S. Shankar
Language : Tamil, Hindi
Choreographer : Raju Sundaram
Costume Design : Manish Malhotra
Release Date : September 3, 2010
Rajnikanth Aishwarya Endhiran The Robot Movie Wallpapers
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