Tanu Weds Manu - Movie Review

Cast :: R Madhavan & Kangna Ranaut

For some strange reason, Hindi cinema has often projected an NRI youngster as a cool and hep dude, pretending to speak Hindi with an English accent. But that, in my opinion, is merely a façade. It%s far from real. Sure, there could be exceptions, but every NRI who arrives in India isn%t wearing an Armani or Versace. Neither is he a die-hard romantic like Raj or Rahul. In fact, a lot of NRIs I know are amused to note that while they held on to the traditions, the ones in India are more inclined towards the West.

Yet, the East-West love story remains a pet theme that continues to invade the Hindi screen. Films like PURAB AUR PASCHIM, DILWALE DULHANIA LE JAYENGE and NAMASTEY LONDON have explored this topic most convincingly. In fact, a lot many people feel that YRF and Dharma have highlighted this aspect in various films, which the diaspora has lapped up with glee. But, of late, films that carry with them the scent of the soil are being attempted by our storytellers. TANU WEDS MANU too highlights this facet.

The NRI in TANU WEDS MANU is docile, unassuming and soft-spoken, has no accent or attitude, believes in arranged marriages, relishes the evergreen songs of Mohammed Rafi, is old-fashioned literally. The girl is contradictory. She%s belligerent and dominating, also smokes, drinks and uses expletives, has had many ¯fairs%, has her new boyfriend%s name tattooed on her chest, is a straight-forward and fearless babe. This is their story!

Like his directorial debut STRANGERS, director Aanand L Rai opts for unconventional and unpredictable situations in TANU WEDS MANU. Of course, the fact that Tanu and Manu would tie the knot sooner or later is at the back of your mind, even before the reels have begun to unfold, but you want to experience their journey - their voyage from strangers to lovers.

TANU WEDS MANU has some great moments, some standard ones, some tedious ones as well, when you feel that the story is being stretched for no particular reason. The drama tends to get heavy after a point and that takes a toll on the film. In fact, the writing gets shaky in the middle of the second hour, although the finale is well thought of and implemented. You may call it clichéd or formulaic, but it works big time.

Meet Manu [R. Madhavan], a seedha saadha Doctor from London. Intelligent, temperate and from a respectable family, the perfect groom which every parent wants for their daughter. When he arrives in India, he realizes that India has changed and so have the people. The Indian women in particular are more attracted towards the Western lifestyle. Family pressure leads him to Kanpur to meet Tanu [Kangna Ranaut], the quintessential small-town girl who has studied in Delhi.

Tanu is a smart, intelligent girl who will do everything that her parents will disapprove. With a mind of her own and a love for rebellion, Tanu is dead against an arranged marriage. But destiny holds something totally different for these diametrically diverse personalities.

Although not similar to JAB WE MET, TANU WEDS MANU conjures up memories of the Imtiaz Ali-directed film. The Punjabi setting and the rebellious girl are two prominent similarities that one recollects instantly. Besides, in HUM DIL DE CHUKE SANAM, PARDES, JAB WE MET as well as TANU WEDS MANU, the girl is in love with someone else and the protagonist helps them take the relationship forward. But director Aanand L Rai ensures that TANU WEDS MANU retains its individuality and doesn%t come across as a replica/clone of those immensely likable films. In fact, his handling of several light moments as well as dramatic ones is exemplary.

TANU WEDS MANU has some wonderful moments in the first hour, but I%d like to single out the sequence when Madhavan confides in Deepak Dobriyal about Kangna not wanting to marry him. Also, the sequence at the interval comes as a bolt from the blue. It%s the writing in the post-interval portions that bothered me. Jimmy Sheirgill%s sequences aren%t as convincing. Also, since Kangna is shown to be a blabber mouth and also forthright and outspoken, why does she turn docile all of a sudden? It doesn%t go with her character, honestly. Also, since Ravi Kissen has Madhavan%s photograph [presumably handed to him by Jimmy Sheirgill], why is Jimmy unaware that Madhavan is the same guy when he meets him for the first time? A few hiccups, but not the type that really go against the film. However, the penultimate 15/20 minutes bring the film back on tracks. Actually, the climax is the highpoint of this enterprise.

The soundtrack takes you by complete surprise. It is earthy and charming. %Sadi Gali% and %Jugni% are two tracks that act as pillars and would help attract moviegoers to cineplexes. Also, the popular track of yesteryears, %Kajra Mohabbat Wala%, is well integrated in the narrative. Chirantan Das%s cinematography captures the lush locales of North India well.

Even though Madhavan enacts the role of an NRI, he doesn%t come across as a stereotypical phoren returned desi. He is real, restrained, yet forceful. To essay a character in such an understated manner is a challenge for any actor and he does it with complete understanding of the character. Unlike her past films, Kangna plays a part that has a zest for life and is bold and fun-loving at the same time. She%s audacious, but lovable. Nonetheless, she needs to work on her pronunciation/diction, which sounds so peculiar.

Jimmy Sheirgill springs a pleasant surprise. Known for portraying soft/positive roles, this one comes as a complete shocker. Though his role isn%t well etched out, he leaves a solid impression in the latter reels. Ravi Kissen is wasted. What is he doing in this film? Deepak Dobriyal is superb yet again. This dynamic actor is under-utilized in our films. Rajendra Gupta, K.K. Raina, Navni Parihaar and Deepti Mishra are effective. Eijaz Khan and Swara Bhaskar are wonderful.

On the whole, TANU WEDS MANU is a feel-good, light-hearted entertainer with the right dose of humor, drama and romance, besides a popular musical score and some smart dialogue that act as toppings. If you like simple, uncomplicated films that tug at your heartstrings, then chances are that you might just like this sweet little rom-com. In terms of economics, the right holders have already recovered a substantial amount from the sale of Satellite Rights. The merits of the film coupled with no major opposition till 1 April will ensure healthy returns on their investment, thus making the investors recover the remainder amount easily. The only concern is the inopportune release period for movies [World Cup] and chances are its business might get affected on days when crucial matches are played, especially when India is on field.

Download Tanu Weds Manu MP3 Songs
01 - Tanu Weds Manu - Sadi Gali@review-of-movies.blogspot.com
02 - Tanu Weds Manu - Yun Hi@review-of-movies.blogspot.com
03 - Tanu Weds Manu - Rangrez@review-of-movies.blogspot.com
04 - Tanu Weds Manu - Piya@review-of-movies.blogspot.com
05 - Tanu Weds Manu - Mannu Bhaiya@review-of-movies.blogspot.com
06 - Tanu Weds Manu - Jugni@review-of-movies.blogspot.com
07 - Tanu Weds Manu - Rangrez (Hey Rangrez Mere Hey)@review-of-movies.blogspot.com

01 - Tanu Weds Manu - Sadi Gali@review-of-movies.blogspot.com
02 - Tanu Weds Manu - Yun Hi@review-of-movies.blogspot.com
03 - Tanu Weds Manu - Rangrez@review-of-movies.blogspot.com
04 - Tanu Weds Manu - Piya@review-of-movies.blogspot.com
05 - Tanu Weds Manu - Mannu Bhaiya@review-of-movies.blogspot.com
06 - Tanu Weds Manu - Jugni@review-of-movies.blogspot.com
07 - Tanu Weds Manu - Rangrez (Hey Rangrez Mere Hey)@review-of-movies.blogspot.com

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Tanu Weds Manu - Music Review

Cast :: R Madhavan & Kangna Ranaut

There are limited expectations from the music of Tanu Weds Manu as the film hasn't been projected as a musical. Also, since there aren't many recognised names attached to the music department (composer Krsna, lyricist Rajshekhar), one doesn't quite know what to expect. However, since the film has a small town setting to it, one does expect the kind of score that would have a rustic flavour to it.

Though one doesn't know what exactly would arrive in the album, Tanu Weds Manu does boast of a cracker of a start with 'Sadi Gali' having all in it to turn into a smash hit in quick time. A Punjabi track by Lehmber Hussainpuri which is different from the routine 'bhangra' tracks, 'Sadi Gali' is a fun celebration number that hooks you in the first listening itself. A foot tapping number with a quintessential desi Punjabi flavour to it that carries the potential to find popularity wherever and whenever it is played, it will find good acceptance especially up North.

The album shifts track soon after with Mohit Chauhan humming around in his characteristic tone. A love song, 'Yun Hi' is about a guy professing his love and expecting the girl to nod in agreement as well. With easy on ears lyrics by Rajshekhar, the song maintains an overall simplicity in its tone and sails through smoothly. Though 'Yun Hi' is not the kind of song that has chartbuster written to it (due to an overall laidback presentation), it is harmless when given a hearing. Meanwhile Ujjaini can also be heard in the background as a backing vocalist.

Next to arrive is a Sufi number 'Rangrez' by Krsna. The longest track in the album which lasts over six minutes, 'Rangrez' has a core essence of love to it and is situational in appeal. Also, it can be expected to play a multiple times in the film's narrative. With an unadulterated presentation sans any external influences that would have threatened to take away from the traditional flavour that it carries, 'Rangrez' would primarily be appreciated by the followers of Sufi music. Later the song also arrives in another version which is rendered by Puranchand Wadali and Pyare Lal Wadali.

By this time around though one does start missing another terrific number like 'Sadi Gali'. However the album keeps it's soft and sober mood that had started with 'Yun Hi'. Resultantly the song that arrives is 'Piya' which actually turns out to be the best of the lot since 'Sadi Gali'. Sung by Roop Kumar Rathod, 'Piya' has a semi-classical flavour to it and shows the range of composer Krsna who spins a tune which is extremely easy on ears. With an old world charm to it, 'Piya' should sound even better when seen along with the film.

There is fun that returns to the proceedings with 'Mannu Bhaiya' which immediately reminds one of 'Genda Phool' [Delhi 6]. Call it the North Indian influence here but the combination of melody and rhythm is on the same lines as the one that was created by A.R. Rahman a couple of years back. Sung by Sunidhi Chauhan who goes restrained in this celebration number where friends and families of the bride and groom get together to tease the couple, 'Mannu Bhaiya' is yet another 'desi' track that maintains its essence. While Ujjaini Mukherjee and Niladri Debnath give Suidhi some support behind the mike, Manjeera, Rakhi Chand and Vivek Naik are the backing vocalists.

Last to arrive is a fun number 'Jugni' which is as Punjabi as it gets and gains that slot in the album which is reserved for a chartbuster. Even though the song's duration is a mere 3 minutes here, Mika makes it worth it by letting his hair down in this dance number that should be pronto aired across all music channels to gain added visibility.

Tanu Weds Manu would have settled down to just being a decent album if not for 'Sadi Gali' and 'Jugni'. These are the two numbers that acts as the pillars of Tanu Weds Manu that should not just add value to the album but also help the film gain added visibility in weeks to come. While 'Mannu Bhaiyya' and 'Piya' add further variety to the album, it's the aforementioned dance numbers that are most enjoyable.


Download Tanu Weds Manu MP3 Songs
01 - Tanu Weds Manu - Sadi Gali@review-of-movies.blogspot.com
02 - Tanu Weds Manu - Yun Hi@review-of-movies.blogspot.com
03 - Tanu Weds Manu - Rangrez@review-of-movies.blogspot.com
04 - Tanu Weds Manu - Piya@review-of-movies.blogspot.com
05 - Tanu Weds Manu - Mannu Bhaiya@review-of-movies.blogspot.com
06 - Tanu Weds Manu - Jugni@review-of-movies.blogspot.com
07 - Tanu Weds Manu - Rangrez (Hey Rangrez Mere Hey)@review-of-movies.blogspot.com

01 - Tanu Weds Manu - Sadi Gali@review-of-movies.blogspot.com
02 - Tanu Weds Manu - Yun Hi@review-of-movies.blogspot.com
03 - Tanu Weds Manu - Rangrez@review-of-movies.blogspot.com
04 - Tanu Weds Manu - Piya@review-of-movies.blogspot.com
05 - Tanu Weds Manu - Mannu Bhaiya@review-of-movies.blogspot.com
06 - Tanu Weds Manu - Jugni@review-of-movies.blogspot.com
07 - Tanu Weds Manu - Rangrez (Hey Rangrez Mere Hey)@review-of-movies.blogspot.com

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No Problem - Movie Review

Cast :: Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Suniel Shetty, Sushmita Sen, Kangna Ranaut, Paresh Rawal, Neetu Chandra

Take two petty crooks (Sanjay Dutt and Akshaye Khanna), a mean gangster and his moll (Suniel Shetty and Neetu Chandra), a bumbling cop and his schizophrenic wife (Anil Kapoor and Sushmita Sen), a bimbette on the beach (Kangana Ranaut), a bank heist and a puppet in the hands of all these people (Paresh Rawal) and shake them all together in madcap measure...End result: a bunch of clueless people hunting for a cachet of stolen diamonds and relentlessly stepping on each other's toes.

Anees Bazmee is fast donning the mantle of the comedy king in commercial Bollywood. Having delivered big laugh riots like Singh is Kinng, Welcome and No Entry, Bazmee seems to be spinning box office magic in a style reminiscent of David Dhawan's oeuvre during the 1990s. There's a similar incoherence and a method in his madness as he spins implausible yarns that have just one objective. They want to tickle your funny bone, any which way, even if means throwing reason and logic out of the window. But hey, when did the desi box office ever bother about inanities like sense and sensibility.

So go ahead and have a blast with a film that celebrates chaos and hopes to be the stress buster you have been looking for after a hectic twenty-tenner. And yes, don't forget your crispies because this one's meant to pop the corn with its crazy characters and its cornball humour. Leading the brat pack is Anil Kapoor who tries a desi Pink Panther with his foolish cop act. He may have the responsibility of nabbing all the criminals running around in sylvan South Africa, but rest assured his handcuffs -- meant for the bad guys -- are always going to hang loose on his hips and the bullets in his gun will never meet their target. Small wonder then, H@rdC0re robber Marco (Suniel Shetty) can barely stifle a yawn when the bumbling officer announces his arrival. But his foolishness elicits the best response from his wife, Sushmita Sen, who is torn between loving her husband or killing him for his stupidity. Her murderous bouts are the high point of the film, as are Paresh Rawal's attempts to set things right by setting them all wrong. Both Sanjay Dutt and Akshaye Khanna too seem to get their comic timing right as the goon buddys who are out to make a fast buck. Sadly, Kangana Ranaut's attempts to re-fashion her image from girl interrupted to giggly-headed beauty queen don't seem to have an edge.

The film does seem to be roughly edited in places and could do with some nips and tucks. Even the music (Sajid Wajid, Pritam, Anand Raj Anand) doesn't have the chartbuster flavour of the Singh is Kinng audio track. But rest assured, No Problem will make you forget your problems, provided you are willing to get goofy and give up your quest for meaning in masala.

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01 - No Problem (2010) - No Problem@review-of-movies.blogspot.com
02 - No Problem (2010) - Shakira@review-of-movies.blogspot.com
03 - No Problem (2010) - Babe Di Kripa@review-of-movies.blogspot.com
04 - No Problem (2010) - We Are Innocent@review-of-movies.blogspot.com
05 - No Problem (2010) - Mast Punjabi@review-of-movies.blogspot.com
06 - No Problem (2010) - Babe Di Kripa (Remix)@review-of-movies.blogspot.com
07 - No Problem (2010) - Shakira (Remix)@review-of-movies.blogspot.com
08 - No Problem (2010) - Mast Punjabi (Remix)@review-of-movies.blogspot.com

01 - No Problem (2010) - No Problem@review-of-movies.blogspot.com
02 - No Problem (2010) - Shakira@review-of-movies.blogspot.com
03 - No Problem (2010) - Babe Di Kripa@review-of-movies.blogspot.com
04 - No Problem (2010) - We Are Innocent@review-of-movies.blogspot.com
05 - No Problem (2010) - Mast Punjabi@review-of-movies.blogspot.com
06 - No Problem (2010) - Babe Di Kripa (Remix)@review-of-movies.blogspot.com
07 - No Problem (2010) - Shakira (Remix)@review-of-movies.blogspot.com
08 - No Problem (2010) - Mast Punjabi (Remix)@review-of-movies.blogspot.com

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No Problem - Music Review

Cast :: Anil Kapoor, Sanjay Dutt, Akshaye Khanna, Suniel Shetty, Sushmita Sen, Kangna Ranaut, Paresh Rawal, Neetu Chandra

Honestly, one isn't overtly enthusiastic about checking out what exactly does No Problem have in store. It doesn't boast of a quintessential hero-heroine fare. Also, since it is an Anees Bazmee film, it isn't meant to be relying on music as it's USP as the story telling by itself is expected to bring in the audience. Moreover, the earlier promos of the film haven't quite placed music on the forefront. Add to that the fact that three set of composers - Pritam, Sajid-Wajid and Anand Raaj Anand - come together to get the album in place means one is further apprehensive about what really is in store here.

As it turns out, the opening song No Problem doesn't quite turn out to the best attraction that the title track of a film is supposed to offer. Coming from the same school of music as the title track of Welcome, this one does have a catchy rhythm to it with Wajid, Suzzane Demello, Khurram Iqbal, Bhishak Jyoti, Kamal Khan, Suganda Mishra and Altamash Faridi teaming up behind the mike. However, it somehow ends up being 'heard today, forgotten tomorrow' kind of a track. Yes, if the film ends up doing tremendously well at the box office, this song written by Shabbir Ahmed and put to tune by Sajid-Wajid can expect a decent recall value for it. However, unless that happens, this title track would have to make way for other songs in the album.

The album picks up miraculously with the arrival of 'Shakira', a fun number where the focus is on the leading ladies (Sushmita Sen, Kangna) ending up being far more enticing in their moves when compared to none other than Shakira. While Hard Kaur kick starts the song with her rap, Master Salim and Kalpana come together to get an authentic Punjabi flavour to this Pritam composition, hence making Kumaar written 'Shakira' a definite chartbuster in the making. The song, which also has a 'remix version' for itself has a distinct Pritam stamp to it and makes one wonder that why wasn't this celebration track the first to come on air.

Energy of the album continues to be on a rise with 'Babe Di Kripa' being the next to come. This one is akin to listening to two songs with Kalpana bringing on a Western rendition while new find Vikrant Singh brings on a hardcore Punjabi element. Yet another celebration track written by Kumaar, this one is not just foot tapping but also is noticeable for the way Vikran goes about singing this one. An original voice which is not quite an imitation of any other established singer, Vikrant does quite well in 'Babe Di Kripa' which should work well, especially up North with it's 'remix version' expected to find it's way into the DJ's collection.

Surprisingly, just when No Problem was reaching its peak comes a low in the form of 'We Are Innocent' which turns out to be totally wannabe. In fact after doubly checking the credit details, you are shocked to know that the man at the helm of affairs is none other than Pritam himself. His tune sounds like belonging to the world of late 80s/early 90s when such campus tracks like these were in the vogue. A forgettable track which is sung by Suraj Jagan and written by Kumaar, it tries to be all cool and fun but falls flat.

Thankfully it is the unusual suspect Anand Raj Anand who comes to the rescue with 'Mast Punjabi', third Punjabi based track in a row after 'Shakira' and 'Babe Di Kripa'. Does it work? Oh of course yes, as it turns out to be a highly addictive celebration track that gets hooked on to you in the first listening itself. In fact hearing this song (which comes again in a 'remix' version) makes you believe that Anand Raaj Anand needs inspiration to come up with a song belonging to the chartbuster variety since 'Mast Punjabi' is definitely one instance where he has delivered well. In fact he plays a triple role of a composer, lyricist as well as singer here with company from Sunishi Chauhan.

As stated earlier, there weren't many expectations from the music of No Problem. However, it ends up throwing a pleasant surprise with three of it's songs - 'Shakira', 'Mast Punjabi' and 'Babe Di Kripa' ensuring that there are enough foot tapping elements in the album. All that the makers have to do now is get aggressive on each of these three songs. Moreover, if the film turns out to be a huge success, these songs will have a greater distance to travel for sure.

Download No Problem MP3 Songs
01 - No Problem (2010) - No Problem@review-of-movies.blogspot.com
02 - No Problem (2010) - Shakira@review-of-movies.blogspot.com
03 - No Problem (2010) - Babe Di Kripa@review-of-movies.blogspot.com
04 - No Problem (2010) - We Are Innocent@review-of-movies.blogspot.com
05 - No Problem (2010) - Mast Punjabi@review-of-movies.blogspot.com
06 - No Problem (2010) - Babe Di Kripa (Remix)@review-of-movies.blogspot.com
07 - No Problem (2010) - Shakira (Remix)@review-of-movies.blogspot.com
08 - No Problem (2010) - Mast Punjabi (Remix)@review-of-movies.blogspot.com

01 - No Problem (2010) - No Problem@review-of-movies.blogspot.com
02 - No Problem (2010) - Shakira@review-of-movies.blogspot.com
03 - No Problem (2010) - Babe Di Kripa@review-of-movies.blogspot.com
04 - No Problem (2010) - We Are Innocent@review-of-movies.blogspot.com
05 - No Problem (2010) - Mast Punjabi@review-of-movies.blogspot.com
06 - No Problem (2010) - Babe Di Kripa (Remix)@review-of-movies.blogspot.com
07 - No Problem (2010) - Shakira (Remix)@review-of-movies.blogspot.com
08 - No Problem (2010) - Mast Punjabi (Remix)@review-of-movies.blogspot.com

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Knock Out - Movie Review

Cast :: Sanjay Dutt, Kangna Ranaut & Irfan Khan

Several factors compel you to ponder over your decision whether or not to watch KNOCK OUT...

• There's talk that KNOCK OUT is a blatant copy of PHONE BOOTH. If you've watched the original, why watch its clone?
• You rush to a nearby cineplex only if the film excites you and in this case, the buzz is missing.
• Sanjay Dutt - the lead actor - hasn't been a part of a worthy film, post MUNNABHAI. That automatically robs the sheen from the film.

You can't turn a blind eye to the fact that KNOCK OUT borrows from PHONE BOOTH. Even otherwise, a man held hostage in a telephone booth by a sniper automatically compels you to think that PHONE BOOTH is the prime source of inspiration, but what follows after a point bears no resemblance to that film. In fact, KNOCK OUT also bears an uncanny resemblance to A WEDNESDAY, although the two films are as diverse as chalk and cheese in terms of how the storyline progresses.

KNOCK OUT is a thriller that keeps you hooked at regular intervals. The best thing about the film is that it remains focused to the plot and there are no deviations [thankfully!] in terms of songs, comedy or any other parallel track. Of course, there are hiccups, but the finale and the message it conveys camouflages the defects largely.

KNOCK OUT takes place almost entirely inside a public phone booth on a busy street. Bachchu aka Tony Khosla [Irrfan] uses the phone booth to carry out all the odd jobs he's into. After one such call, when Irrfan is about to leave the phone booth, the phone rings and he instinctively picks it up. On the other end of the line is a menacing caller [Sanjay Dutt].

The voice demands that Irrfan stay in the phone booth or else, the caller would destroy his marriage [Rukhsaar plays Irrfan's wife] and ruin his reputation of an investment banker. Irrfan tries to hang up the phone, but the voice on the phone threatens to kill him. Stuck in the phone booth, he's forced to ward off anyone who tries to get him out, including a drug addict.

The drug addict is shot dead by the caller and the police as well as the media arrive on the scene. The caller makes Bachchu dance to his tunes for a valid reason.

Come to think of it, KNOCK OUT is a difficult film to execute because the two characters - Sanju and Irrfan - never cross paths, except for a fleeting moment towards the end. In fact, they are constantly talking to each other over phone. Now watching a man trapped in a phone booth [for the entire film] could make the viewer restless. But the engaging screenplay and the energetic pacing keeps the viewer on toes. You just don't know what to expect next, since the story doesn't follow the beaten path.

What sets it apart from not just PHONE BOOTH, but also other films [including LIBERTY STANDS STILL] is the fact that Sanju is not out to settle personal scores with the wrongdoers [Irrfan, Gulshan Grover]. He wants to book those who have cheated India by stashing unaccounted money across various banks abroad. In fact, the finale is the best part of the enterprise and stirs up patriotic feelings.

On the flipside, the film tends to get repetitive at times. The middle of the second hour stagnates, albeit for a few minutes. Also, there's a reference to a woman that makes Sanju extremely emotional. One assumes that the woman is linked to Sanju is some way, but that remains a mystery all through.

Mani Shankar illustrates his ability as a fine storyteller. His handling of the subject is commendable. Also, the director employs the split-screen style to tell the story, which comes across very well. Cinematography [N. Natarajan Subramanian] is striking. Action scenes [Allan Amin] are vibrant. However, the one-on-one fight in the climax or prior to that, when the cops enter Sanju's apartment and Sanju kills all of them single-handedly, should've been avoided. It robs the film on realism. Dialogues [Shiraz Ahmed] are razor sharp and an asset. I wish to make a special mention of the background score [Sanjay Wandrekar, Atul Raninga], which is truly fantastic.

The casting is just perfect. Sanju seems to be in form after a really long time, after MUNNABHAI in fact. Besides, the performance is consistent from start to end, which only goes to show the involvement of the actor in the script and director. Irrfan is akin to a chameleon. Cast him in any role and he emerges trumps. A lesser actor in his place and KNOCK OUT would've got knocked out. Kangna is efficient, as always. But her diction is faulty at places.

Gulshan Grover is excellent. He plays the corrupt politician with natural ease. Sushant Singh is first-rate. Rukhsar is good in a brief role. Apoorva Lakhia carries the stern look well. Asif Basra does a commendable job.

On the whole, KNOCK OUT is a watchable fare, but its English title and also Sanjay Dutt's box-office pull, which is minimal currently, will act as deterrents. Therefore, the film will require a very strong word of mouth to find a foothold.

Download Knock Out MP3 Songs
01 - Knock Out@review-of-movies.blogspot.com
02 - Khushnuma Sa Ye Roshan Ho@review-of-movies.blogspot.com
03 - Jab Jab Dil Mile@review-of-movies.blogspot.com
04 - Tuhi Mere Hum Navaa@review-of-movies.blogspot.com
05 - Gangubai Pe Aai Jawani@review-of-movies.blogspot.com
06 - Khushnuma Sa Woh Mausam@review-of-movies.blogspot.com
07 - Jab Jab Dil Mile (Remix)@review-of-movies.blogspot.com

01 - Knock Out@review-of-movies.blogspot.com
02 - Khushnuma Sa Ye Roshan Ho@review-of-movies.blogspot.com
03 - Jab Jab Dil Mile@review-of-movies.blogspot.com
04 - Tuhi Mere Hum Navaa@review-of-movies.blogspot.com
05 - Gangubai Pe Aai Jawani@review-of-movies.blogspot.com
06 - Khushnuma Sa Woh Mausam@review-of-movies.blogspot.com
07 - Jab Jab Dil Mile (Remix)@review-of-movies.blogspot.com

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Knock Out - Music Review

Cast :: Sanjay Dutt, Kangna Ranaut & Irfan Khan

Music in an urban action film guarantees one thing - it would be fast paced and edgy. Even though Knock Out has an unusual cast of Sanjay Dutt, Irrfan Khan and Kangna with not much scope of music due to its plot based setting, one looks forward to what composer Gourov Dg [Gourov Dasgupta] has to offer. Panchhi Jalonvi is the prime lyricist with Vishal Dadlani and Shellee also contributing with a song apiece.

The album takes a completely different route with Rahat Fateh Ali Khan coming up with a soft number 'Khushnuma Sa Ye Roshan Ho'. A Panchhi Jalonvi written track which carries a theme of world being a better place to live, 'Khushnuma' moves at a slow pace and even though the beginning is okay, the later portions just turn out to be average. In fact one gets a jingle feel and despite the presence of Rahat Fateh Ali Khan, the results aren't optimal here. Though the song is about hope, there is a sad feel to it which only makes one look forward to what next is in the offing. Another version of the same song appears as 'Khushnuma Sa Woh Mausam' (with Shellee as the lyricist) and this time around the singer at the helm of affairs is Krishna. The overall mood still stays on to be sombre though.

Fun returns to the scene with Sunidhi Chauhan bringing on the exuberance with 'Jab Jab Dil Mile'. Okay, so the fact is that the song reminds one of many a Pritam song from the past but still it is good enough to lend a foot tapping appeal to the album. Though not extraordinary and a chartbuster that would live on for a year to come, it still is energetic enough to ensure some good visuals complimenting the fast paced mood of the film. Panchhi Jalonvi's lyrics aren't anything great to write home about but then if at all there is some scope for the album to find inroads amongst the audience; 'Jab Jab Dil Mile' is the one that should be played on most. No wonder, there is a 'remix version' included as well.
Then arrives 'Tuhi Mere Hum Navaa' which is a KK solo. A predictable track that enters into the Shankar-Ehsaan-Loy zone and musically reminds one of their compositions like 'Mitwa' [Kabhi Alvida Naa Kehna] and 'Sajda' [My Name Is Khan], 'Tuhi Mera...' by Panchhi Jalonvi makes for a comfortable hearing. In fact at places where a line leads to a pause, one is also reminded of Pritam's 'Teri Ore' [Singh Is Kinng]. Due to its heard before feel, 'Tuhi Mera..' doesn't carry a promise to make any inroads into the charts.

Last song to come is 'Gangubai Pe Aai Jawani', which is seemingly an afterthought, considering the 'Munni Badnaam' wave and also some reasonable attention that 'Issak Se Meetha' [Aakrosh] is enjoying. Belonging to the same genre as the aforementioned tracks, this Sunidhi Chauhan number carries an altogether different mood when compared to the rest of the album. A standard item song with an earthy feel to it, it follows a template approach and turns out to be an ordinary affair.

Knock Out is a passable score though one would have expected better results. Even after one is through hearing the album a few times, there isn't much recall value that makes one look forward to hearing it all over again.

Download Knock Out MP3 Songs
01 - Knock Out@review-of-movies.blogspot.com
02 - Khushnuma Sa Ye Roshan Ho@review-of-movies.blogspot.com
03 - Jab Jab Dil Mile@review-of-movies.blogspot.com
04 - Tuhi Mere Hum Navaa@review-of-movies.blogspot.com
05 - Gangubai Pe Aai Jawani@review-of-movies.blogspot.com
06 - Khushnuma Sa Woh Mausam@review-of-movies.blogspot.com
07 - Jab Jab Dil Mile (Remix)@review-of-movies.blogspot.com

01 - Knock Out@review-of-movies.blogspot.com
02 - Khushnuma Sa Ye Roshan Ho@review-of-movies.blogspot.com
03 - Jab Jab Dil Mile@review-of-movies.blogspot.com
04 - Tuhi Mere Hum Navaa@review-of-movies.blogspot.com
05 - Gangubai Pe Aai Jawani@review-of-movies.blogspot.com
06 - Khushnuma Sa Woh Mausam@review-of-movies.blogspot.com
07 - Jab Jab Dil Mile (Remix)@review-of-movies.blogspot.com

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Once Upon A Time In Mumbaai - Movie Review

Cast :: Ajay Devgn, Emraan Hashmi, Kangna Ranaut, Prachi Desai

The fascination with gangster movies has been immense worldwide. On this side of the Atlantic, several gangster films have left giant footprints on the sands of time. Films like DEEWAAR [Yash Chopra], DHARMATMA [Feroz Khan], NAYAKAN [Mani Ratnam], ANGAAR [Shashilal Nair], PARINDA [Vidhu Vinod Chopra], AGNEEPATH [Mukul Anand], SATYA and COMPANY [Ramgopal Varma], VAASTAV [Mahesh Manjrekar], GANGSTER [Anurag Basu], D [Vishram Sawant] and SHOOTOUT AT LOKHANDWALA [Apoorva Lakhia] have tremendous recall value to this day.

ONCE UPON A TIME IN MUMBAAI recreates an era that so many of us have left behind and for those who arrived on this planet post 80s, I am sure, they must have visited the era through some medium or the other, mainly movies and internet or during their academic careers.

ONCE UPON A TIME IN MUMBAAI is not part of history, but it attempts to portray on celluloid tales that are now considered legendary, that continue to make news to this date. Of course, the disclaimer claims that it bears no resemblance to a particular person, but you can't help but draw parallels with real-life characters. It could be a coincidence, though!

ONCE UPON A TIME IN MUMBAAI is a fascinating story that talks of how the mafia came into force for the first time in Mumbai. A thriller that depicts the crime scenario in Mumbai during the 70s and 80s. The rise to power of two young boys, in different age-groups, who grew up to 'rule' the streets of Mumbai.

Since there's tremendous speculation in the media that ONCE UPON A TIME IN MUMBAAI chronicles the lives of Haji Mastan and Dawood Ibrahim, the curiosity to watch the film increases manifold. Of course, I am no one to comment if it's actually based on their lives or merely borrows a few incidents from their lives or is pure fiction, but as a cinematic experience, I couldn't help getting transported to the bygone era, getting sucked into a world I had no clue of.

Besides the gangster chapter, one enjoys this film also because of its riveting drama and the power play. It could've been set anywhere, in the corporate world, in politics, in the film industry. Anywhere. The rise and subsequent fall of the King and the emergence of the Prince as the super power is what makes this film a compelling watch. The icing on the cake is the magical and lilting song compositions that are juxtaposed so beautifully in the goings-on. On the sidelines of the power play, a game of hearts is being played and that's what makes ONCE UPON A TIME IN MUMBAAI a wholesome movie experience.

Final word? ONCE UPON A TIME IN MUMBAAI is not to be missed. Set everything aside this coming weekend and watch this one. Strongly recommended!

The film, set primarily in 1970s Mumbai, follows the rise of Sultan Mirza [Ajay Devgn] and the conflict that ensues, when his protégé Shoaib Khan [Emraan Hashmi] challenges his supremacy and usurps power to rule the murky underbelly of Mumbai.

ONCE UPON A TIME IN MUMBAAI is a power-packed drama that makes you thirst for more. You rewind to an era of romance, smuggling, cabaret and mafia, but director Milan Luthria and writer Rajat Aroraa ensure that there's no sleaze or bloodshed-n-gore. In fact, there's hardly any violent sequence in the movie, except for one when Ajay hammers a cop during a naaka-bandi.

ONCE UPON A TIME IN MUMBAAI is not a biopic, but narrates the story through the eyes of a police officer [Randeep Hooda], who traces the changing face of the Mumbai underworld. The screenplay encompasses several moments that may compel you to draw parallels with real life, but talking strictly from the movie-going point of view, it satiates you completely. In fact, the writing is cohesive, smart and watertight and there's never a dull moment. Besides, there's no time to think whether it's factual or loosely based on someone's life or a work of fiction.

As I look back and recall the movie, a number of sequences flash across my mind. Note the sequence when Ajay divides the city amongst gangsters... The train sequence at the very start... The introduction of Emraan Hashmi's character... Randeep Hooda's landing on a film set and confiscating the equipment... The subsequent sequence, when Randeep is framed for accepting bribe... The romantic moments between Emraan and Prachi in the jewellery shop... Emraan starting his business and the confrontation that ensues between Ajay and Randeep... The showdown between Ajay and Emraan, with Ajay slapping Emraan in full public view... The conclusion to the story is equally novel. It stays in your memory and sets you thinking.

On the flipside, the story begins with Randeep attempting suicide, but the writer should've cited the reason that prompted him to take that drastic step. Sure, there's a mention at the start, but it doesn't register well. Also, you are keen to know the chain of events that drove Randeep to suicide. Also, the pace slackens in the middle of the second hour, but picks up dramatically when Ajay returns from Delhi and confronts Emraan. Besides, how I wish the film had a shorter, mass appealing Hindi title to attract more eyeballs and a big jump in footfalls [at single screens and smaller centres mainly] for a mass appealing subject like this.

This is director Milan Luthria's best work to date, no two opinions on that. Recreating the bygone era is tough and the director, the writer and the art director [Nitin Chandrakant Desai] deserve brownie points for giving the film that authentic feel. In fact, the film wears a chic retro look throughout. Even otherwise, Milan's handling of the subject material is exemplary. This film is sure to catapult him to the top league. Rajat Aroraa's screenplay is powerful and engaging. The writer marries heavy-duty drama and subtle and delicate emotions beautifully. I would like to make a special note of the dialogue, also penned by Rajat Aroraa, which are simply fantastic. In fact, the dialogue writing is such it elevates even an ordinary sequence to great levels. One rarely comes across such potent dialogue in today's times.

Pritam's music is another ace. Injecting songs and that too a terrific soundtrack in a gangster film is tough. He did it in GANGSTER. He does it again in ONCE UPON A TIME IN MUMBAAI. 'Pee Loon', 'Tum Jo Aaye' and the remix of APNA DESH track are super compositions, which are also placed appropriately in the plotline. Cinematography [Aseem Mishra] captures the look to perfection. Akiv Ali's editing is sharp.

ONCE UPON A TIME IN MUMBAAI is embellished with fantastic performances. Ajay Devgn is splendid as Sultan. The actor had enacted a similar role in COMPANY, but it must be said that his interpretation is so different in ONCE UPON A TIME IN MUMBAAI. He adds so much depth to the character, which only goes to prove his range and versatility. This is, without a trace of doubt, Ajay's finest work so far. Emraan Hashmi is brilliant as the power greedy, wildly ambitious rebel. He plays the dark character to perfection. He's incredible in the penultimate moments of the film in particular. Besides carrying the look to perfection, Emraan is sure to break-free from the lover boy, serial kisser image with this film.

Kangna Ranaut is extremely natural and performs very well. Also, she brings so much of sensuality and glamour to her character [an actress of the 70s]. In fact, Ajay and Kangna make a wonderful on-screen pair. Prachi Desai is a bundle of talent who proves her mettle yet again. She's proficient in emotional scenes and sizzles in the BOBBY song-sequence. Besides, the chemistry between Emraan and Prachi is exciting. Randeep Hooda is top notch. Even though the film belongs to Ajay and Emraan, Randeep makes his presence felt with a powerful performance. This film should prove to be the turning point in his career.

Avtar Gill [as Home Minister] is good. Naved Aslam [as Patrick, Ajay's trusted lieutenant] is perfect. Mehul Bhojak [as Emraan's friend Javed] is competent. Ravi Khanwilkar [as Vardhan] is satisfactory. Gauhar Khan sizzles in the remix track.

On the whole, ONCE UPON A TIME IN MUMBAAI is an extremely well-made film that lingers in your memory. The realism coupled with stellar direction, power-packed writing, exceptional performances and ear-pleasing tunes are its trump cards. An outstanding cinematic experience!

Download MP3 Songs

01 - Pee Loon@review-of-movies.blogspot.com

02 - Tum Jo Aaye@review-of-movies.blogspot.com

03 - Parda@review-of-movies.blogspot.com

04 - I Am In Love@review-of-movies.blogspot.com

05 - Babu Rao Mast Hai@review-of-movies.blogspot.com

06 - I Am In Love (Part 2)@review-of-movies.blogspot.com

07 - Tum Jo Aaye (Reprise)@review-of-movies.blogspot.com

08 - Pee Loon (Remix)@review-of-movies.blogspot.com

09 - I Am In Love (Dance Mix)@review-of-movies.blogspot.com

01 - Pee Loon@review-of-movies.blogspot.com

02 - Tum Jo Aaye@review-of-movies.blogspot.com

03 - Parda@review-of-movies.blogspot.com

04 - I Am In Love@review-of-movies.blogspot.com

05 - Babu Rao Mast Hai@review-of-movies.blogspot.com

06 - I Am In Love (Part 2)@review-of-movies.blogspot.com

07 - Tum Jo Aaye (Reprise)@review-of-movies.blogspot.com

08 - Pee Loon (Remix)@review-of-movies.blogspot.com

09 - I Am In Love (Dance Mix)@review-of-movies.blogspot.com

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Once Upon A Time In Mumbaai - Music Review

Cast :: Ajay Devgn, Emraan Hashmi, Kangna Ranaut, Prachi Desai

Despite the name Pritam staring from the credit details of Once Upon A Time In Mumbaai, you are not overtly enthused about what the music would have to offer. Despite the that most Luthria films (Kachhe Dhaage, No. 9211) have boasted of good music, you are not really sure if there would be something similar this time around. Despite the fact that Emraan Hashmi and good music go hand in hand, you wonder whether the good run will continue with Once Upon A Time In Mumbaai. There is a singular reason for that. The film belongs to gangster genre which, on paper, leaves very minimal scope for a popular soundtrack. At maximum a song or two goes on to become a chartbuster, as has been evidenced in Company (Khallas) and Shoot Out At Lokhandwala (Ganpat). However, something with lends wholesome popular appeal doesn't quite appear to be on cards. Well, the speculations go out of the window as Pritam along with Irshad Kamil, Nilesh Mishra and Amitabh Bhattacharya prove otherwise and come up with a soundtrack which surprises and entertains.

It's trademark Pritam in the very opening notes of 'Pee Hoto Ki Sargam' which has an 'alaap' going in the background before Mohit Chauhan arrives on scene. A beautiful that has chorus adding on that additional zing to the proceedings, 'Pee Loon' is a loveable track that boasts of some poetic lyrics by Irshad Kamil. With a slight sufi touch to it, 'Peen Loon' is the kind of track that Imtiaz Ali would have loved to grab with both hands. In fact if 'mukhda' is a great kick start, 'antara' is even better as Mohit Chauhan gets the boyish charm of Emraan translated through his voice. A good kick start and a winner all the way, the song also arrives in a enjoyable 'remix version' and in the process keeps Emraan's hit record intact.

Set in the 70s, 'Tum Jo Aaye' is a quintessential Bollywood track where Tulsi Kumar leads from the front. Even though Rahat Fateh Ali Khan is also roped in for the song, he arrives only two minutes into the song. Yes, Tulsi does fine in giving the song a kick start but Rahat's entry brings an altogether different dimension to this song which has elements of 'qawalli' to it. Also, despite the fact that the song is set in the 70s, Pritam doesn't make it sound like a caricature and keeps it true to its theme. Written by Irshad Kamil, this song also arrives in a 'reprise version' by Rahat Fateh Ali Khan and it is tough not to play it on in a repeat version. Yet another winner in the album.

Remember ' O My ' from Apna Desh? The song is presented in its new avtar with Irshad Kamil rechristening it as 'Parda'. While the basic essence of 'Monica' is kept intact, Pritam brings in a new flavour to it by doing his own bit. Rather than a straight forward 'remix version', 'Parda' is presented as an altogether new song especially during the 'antara' part. Sung by Sunidhi Chauhan, Anupam and Rana, this song stays totally glued to the cabaret tracks of the late 60s/early 70s and should definitely make for a very good impact on screen as a part of the narrative.

The song that is timeless though and doesn't just belong to the 70s or the current times is 'I Am In Love'. If 'Pee Loon' reminded one of Imtiaz Ali films, 'I Am In Love' is the kind of track that follows Anurag Basu template. If Life In A Metro is your poison, rest assured Milan Luthria has inspired Pritam good enough to make a melodious track like 'I Am In Love'. A song which you just wish could be played in loop for hours at stretch; it is yet another instance of an 'antara' turning out to be even better than 'mukhda'. Also, Nilesh Mishra brings in a new combination of words despite the song being titled plain and simple 'I Am In Love'.

The song arrives thrice in the album with backup vocals by Dominique and while the solo version by relatively new entrant Karthik is good, it is K.K.'s version that takes the song to a different high altogether. The experience matters here and so does the composer-singer combination which results in yet another song which will definitely find popularity, especially amongst youth. Also, rest assured, the song will find a definite inclusion in all the 'love compilation' albums in months to come. The 'dance version' further adds variety and also justifies the confidence that the makers had in bringing this song multiple times in the album.

'Babu Rao Mast Hai' - Now any college goer will hear these lyrics and would immediately imply what it is trying to say. However, to the credit of the team here (lyricist: Amitabh Bhattacharya, singer: Mika), there isn't anything risqué about the song until and unless someone truly runs his imagination wild and reads between the words. Yes, it is spicy, mischievous and edgy. However, it is more about the escapades of a gangster rather than his love for women and wine which makes it stand apart from 'Ganpat' or 'Khallas'. It takes a couple of listening to grasp the tune but once that happens, it hooks on to you. Given Emraan Hashmi's on-screen image, that of someone who has a naughty streak to him, 'Babu Rao' can find good patronage coming for itself.

Once Upon A Time In Mumbaai throws a surprise, a mighty pleasant one at that. There is no average song in the album as all range from good to very good. Also, there are definite chartbusters like 'Pee Loon Hoto Ki Sargam', 'I Am In Love' and 'Baburao'. In addition, 'Tum Jo Aaye' and 'Parda' add further value to the film's music, hence making it a complete album. Once the initial inhibition about the album offering only gangster score settles down and the fact emerges that there are quite a few love songs on the offing as well, Once Upon A Time In Mumbaai should enjoy a long innings ahead.

Download MP3 Songs
01 - Pee Loon@review-of-movies.blogspot.com

02 - Tum Jo Aaye@review-of-movies.blogspot.com

03 - Parda@review-of-movies.blogspot.com

04 - I Am In Love@review-of-movies.blogspot.com

05 - Babu Rao Mast Hai@review-of-movies.blogspot.com

06 - I Am In Love (Part 2)@review-of-movies.blogspot.com

07 - Tum Jo Aaye (Reprise)@review-of-movies.blogspot.com

08 - Pee Loon (Remix)@review-of-movies.blogspot.com

09 - I Am In Love (Dance Mix)@review-of-movies.blogspot.com

01 - Pee Loon@review-of-movies.blogspot.com

02 - Tum Jo Aaye@review-of-movies.blogspot.com

03 - Parda@review-of-movies.blogspot.com

04 - I Am In Love@review-of-movies.blogspot.com

05 - Babu Rao Mast Hai@review-of-movies.blogspot.com

06 - I Am In Love (Part 2)@review-of-movies.blogspot.com

07 - Tum Jo Aaye (Reprise)@review-of-movies.blogspot.com

08 - Pee Loon (Remix)@review-of-movies.blogspot.com

09 - I Am In Love (Dance Mix)@review-of-movies.blogspot.com

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Kites - Movie Review

Cast :: Hrithik Roshan, Kangna Ranaut, Barbara Mori, Kabir Bedi, Nick Brown, Yuri Suri

Hrithik Roshan treads the crooked path in the by-lanes of Las Vegas. He has married umpteen girls for the coveted green card and Barbara Mori happens to be one of his abandoned wives. But sparks fly between the two when they meet again, this time under different -- and dangerous -- circumstances. The mercenary couple are all set to marry a rich brother-sister duo (Kangana and Nick Brown) for their money but they soon discover they are in love and flee the rich and powerful siblings who are hell bent on avenging their dishonour. Will love surmount all odds?

Where's the chemistry? Where's the story? And where's the twist in the tale? Kites could have been that cross-over film that Bollywood has been dreaming about since long. Sadly, it flounders even before it can take off and soar....


So what's holding it down? First and foremost, the film completely lacks a story and unfolds as an unabashed chase film. Nothing wrong with that, for we have had a number of road movies that have thrilled and chilled us. But for that, there has always been a twist in the tale to provide an edgy feel to the film. Kites, on the other hand, does have Hrithik and Barbara spending the second half of the film as fugitives on the run, but their journey is so predictable, it fills you with a yawn. If the first half is a non-happening prolonged romance that unfolds in stares, glances, looks followed by some more stares, glances and looks between our protagonists (Hrithik and Barbara) as they try and seek out covert moments of togetherness in the palatial house of their respective bethrotheds (Kangana and Nick), the second half is a hit and run case which sees the fugitives hoping to make out 'neath the shadow of the gun. Both Barbara and Hrithik decide to give up their get-rich-quick plans and opt for penniless love instead, even though they know they will be pursued till the end of the world by the ditched brother-sister duo.

But hey, do they make out? Not really, unless you call Barbara yakking relentlessly in Spanish or Hrithik stitching up her arm beneath the rocks as romantic. Which brings us to the chemistry bit....Quite unlike the pre-release claims, the Mexican-Indian mix isn't exactly red hot chilli pepper stuff. Their romance hardly sizzles, with Mori spending most of her time flashing toothy grins and Hrithik failing to match up to his hot-hot bonding with Aishwarya Rai in Dhoom 2. Even the waterfall sequence in the jungle ends up as ekdum thanda!

It's the look of the film which carries it forward. Director Anurag Basu may have dipped in the emotional quotient of the film but he does create a visual feel and texture that has an international feel to it. The cinematography by Ayananka Bose has a grand texture and creates compelling montages, specially in the rain-drenched climax sequence. Performance-wise, the lead actors are just adequate and do not exactly set the screen ablaze, neither with their emotions nor with their passion. One almost feels sorry for Kangana, a fine actor who is reduced to a speechless accessory that is left to do what Hrithik and Barbara do -- stare, glance, look as the woman scorned -- for the short span that she's on. The audio track by Rajesh Roshan doesn't linger too, because the film mostly has a loud, repetitive background score by Salim-Suleiman interspersed with maybe just one forgettable number.

Download MP3 Songs
01 - Kites (2010) - Zindagi Do Pal Ki@review-of-movies.blogspot.com
02 - Kites (2010) - Dil Kyun Yeh Mera@review-of-movies.blogspot.com
03 - Kites (2010) - Tum Bhi Ho Wahi@review-of-movies.blogspot.com
04 - Kites (2010) - Kites In The Sky@review-of-movies.blogspot.com
05 - Kites (2010) - Fire@review-of-movies.blogspot.com
06 - Kites (2010) - Zindagi Do Pal Ki (Remix)@review-of-movies.blogspot.com
07 - Kites (2010) - Dil Kyun Yeh Mera (Remix)@review-of-movies.blogspot.com
08 - Kites (2010) - Tum Bhi Ho Wahi (Remix)@review-of-movies.blogspot.com
09 - Kites (2010) - Fire (English Version)@review-of-movies.blogspot.com

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Kites - Music Review

Cast :: Hrithik Roshan, Kangna Ranaut, Barbara Mori, Kabir Bedi, Nick Brown, Yuri Suri

Kites is an upcoming Hindi movie of Bollywood which releases in the direction of Anurag Basu. Kites movie is produced by Rakesh Roshan. The movie introduces Hrithik Roshan and Barbara Mori as the leading casts. Music director of Kites movie is Rajesh Roshan.

Kites definitely has an international appeal in terms of music. Songs will not dwell in you heart immediately but will start to sound wonderful after listening to it couple of times. Only 2 songs makes the good cut and both of them are by KK.

“Zindagi Do Pal Ki” song of Kites music is sung by KK. The song begins with slow-paced poetic lyric. Music of the song is also very thematic which tunes on “Jhankar” instrument. Music of the song is very different and new for listeners. Music of “Zindagi Do Pal Ki” is just like slow-paced blowing air.

“Zindagi Do Pal Ki (Remix)” song of Kites 2010 music is sung by KK. The remix version of song is also tunes on “Jhankar” instrument. Lyric of the song appears from background. Music of remix version is a little bit fast and blowing than its original version.

“Dil Kyun Yeh Mera (Remix)” song of Kites Album is sung by K K. The remix song also begins with slow-paced clapping music. Lyric of the song is inspired by western influence. The song tunes on instrumental band music. Lyric of the song is very unique and different from other soundtracks of Kites 2010 Album.

“Tum Bhi Ho Wahi (Remix)” song of Kites Hindi music is sung by Vishal Dadlani and Suraj Jagan. The song introduces “Jhankar” band music. Lyric of the song tunes in the background. The song introduces mix lyrics on fast-paced band music.

“Tum Bhi Ho Wahi” song of Kites music is also sung by Vishal Dadlani and Suraj Jagan. There is not much difference in both versions of songs. Both songs tunes almost on the same lyrics. Music of the song is also very similar to its remix version.

“Fire (English Version)” song of Kites Album is sung by Rajesh Roshan, Vishal Dadlani and Anushka Manchanda. The song begins with blinking music. The song introduces DJ music. It tunes on very fast instrumental music. “Fire (English Version)” song tunes on very fast-paced band music also. Music of the song is very compatible for Party night and Club music. Lyric of the song tunes on only background music. Music of the song is very focus and focal rather than its lyric.

“Fire” song of Kites music is sung by Anirudh Bhola and Anushka Manchanda. Both version of songs are almost same – remix and original.

“Kites In The Sky” song of Kites Album is sung by Hrithik Roshan and Suzan Demello. Lyric and music of the song is influenced by western music. The song is dedicated to the movie title. Music of the song also tunes on slow-paced “Jhankar” instrument.

“Dil Kyun Yeh Mera” song of Kites music is sung by K K. The song is also very similar to its remix version.

Kites Album has introduced total 9 soundtracks with its remix versions. Lyric and music of Kites Album is really very new for Indian listeners. Music and lyric of the movie is inspired by western culture. All soundtracks of Kites music are really very appreciating.

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01 - Kites (2010) - Zindagi Do Pal Ki@review-of-movies.blogspot.com
02 - Kites (2010) - Dil Kyun Yeh Mera@review-of-movies.blogspot.com
03 - Kites (2010) - Tum Bhi Ho Wahi@review-of-movies.blogspot.com
04 - Kites (2010) - Kites In The Sky@review-of-movies.blogspot.com
05 - Kites (2010) - Fire@review-of-movies.blogspot.com
06 - Kites (2010) - Zindagi Do Pal Ki (Remix)@review-of-movies.blogspot.com
07 - Kites (2010) - Dil Kyun Yeh Mera (Remix)@review-of-movies.blogspot.com
08 - Kites (2010) - Tum Bhi Ho Wahi (Remix)@review-of-movies.blogspot.com
09 - Kites (2010) - Fire (English Version)@review-of-movies.blogspot.com

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Bollywood Atcresses Kangana Ranaut Hot Images

After Kangna and Adhyayan surprised people by hooking up, they went on to make their relationship official with uninhibited public declarations of love. News of their split, after a year of being together, has shocked many, including Kangna, as Adhyayan has initiated the move. Apparently , erratic schedules and time spent apart in different locations for their films has taken its toll. That Adhyayan's father, Shekhar Suman, never liked Kangna and went out of his way to say uncomplimentary things about her, must surely have contributed to the split.
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