Showing posts with label Arjun Rampal. Show all posts
Showing posts with label Arjun Rampal. Show all posts

Arjun Rampal Movies List

Name:                       Arjun Rampal
Date of Birth:             26 Nov 1972
Height:                       6′ 2″
First movie:               Pyaar Ishq Aur Mohabbat, 2001
  • Ra. One (2011)
  • Yahan Ke Hum Sikander (2010)
  • We Are Family (2010) - Aman
  • Raajneeti (2010) - Prithviraj Pratap
  • House Full (2010) - Major Krishna Rao
  • Fox (2009) - Arjun Kapoor
  • EMI (2008) - DJ Rayan
  • The Last Lear (2008) - Siddharth
  • Rock On (2008) - Joe Mascarenhas
  • Dus Kahaniyaan (2007)
  • Om Shanti Om (2007) - Mukesh Mehra
  • Honeymoon Travels Pvt Ltd. (2007) - special appearance
  • I See You (2006) - Raj Jaiswal
  • Don (2006) - Jasjit (J.J.)
  • Kabhi Alvida Naa kehna (2006) - Jai (Guest Appearance)
  • Alag (2006) - Special Appearance (Song)
  • Darna Zaroori Hai (2006) - Man asking for phone call
  • Ek Ajnabee (2006) - Shekhar Verma
  • Elaan (2005) - Arjun
  • Humko Tumse Pyaar Hai (2005) - Rohit
  • Vaada (2005) - Rahul
  • Yakeen (2005) - Nikhil Oberoi
  • Asambhav (2004) - Captain Aditya Arya
  • Dil Ka Rishta (2003) - Jai Mehta
  • Tehzeeb (2003) - Salim Mirza
  • Aankhen (2002) - Arjun Verma
  • Dil Hai Tumhaara (2002) - Dev Khanna
  • Deewaanapan (2001) - Suraj Saxena
  • Moksha (2001) - Vikram Sehgal
  • Pyaar Ishq Aur Mohabbat (2001) - Gaurav Saxena

We Are Family - Movie Review

Cast :: Arjun Rampal, Kajol, Kareena Kapoor

WE ARE FAMILY is the official adaptation of Chris Columbus' STEPMOM [1998] and lots of us have already watched this Julia Roberts - Susan Sarandon starrer. Even otherwise, the story of a woman, diagnosed with a terminal illness, entrusting her kids to the 'other woman' before she does the final salute, gives the feeling of deja vu. But WE ARE FAMILY is not a tear-jerker. Sure, it has dollops of emotions, but also integrates the light moments wonderfully in those 12 reels.

In the good old days, in the 1960s and 1970s specifically, well-made family films struck an instant chord with viewers across the spectrum. But with the changing times, the quantum of well-made socials made a rapid decline. WE ARE FAMILY belongs to the Rajshri gharaana and tells the story of a family facing two life-changing developments: The woman of the house is diagnosed with a terminal illness and two, there's a stepmom on the scene. A difficult subject to handle, without doubt.

But debutant director Siddharth P. Malhotra surprises you constantly. Casting the best available talent for two pivotal parts and doing complete justice to their roles is tough. Very tough. But the ease with which he handles the tense moments between the women and also the emotional finale shows he has learnt his lessons well from his peers.

WE ARE FAMILY is for the family. It is well acted, deftly written, entertaining and broadly appealing drama. Watch it with someone you love!

Maya [Kajol] is the perfect mother. Her life revolves around her three children, Aleya [Aanchal Munjal], Ankush [Nominath Ginsberg] and Anjali [Diya Sonecha]. Despite being divorced from her husband Aman [Arjun Rampal], Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happyfamily unit.

When Aman introduces his girlfriend, Shreya [Kareena Kapoor], a career-oriented woman, the situation takes an unexpected turn. However, Maya is diagnosed with aterminal illness and circumstances bring the two women under the same roof. Can two mothers make a home?

With a plot like this, you expect WE ARE FAMILY to be an out-and-out serious outing. However, the film has its serious moments, but the director ensures that it doesn't come across as a gloomy and serious fare. In fact, the generous dose of light moments in the narrative keeps the drama fluid. There's an inherent sensitivity that the director brings in, which keeps you involved for most parts.

On the flip side, the film tends to stagnate in the middle of the second hour. One expects the story to move forward, but there's not much movement here [thankfully, the film picks up wonderfully towards the penultimate reels]. Also, the music by Shankar-Ehsaan-Loy is a complete letdown. You feel it all the more because Dharma is synonymous with excellent music. The only redeeming track in the enterprise is 'Let's Rock', which is high on energy. S-E-L need to reinvent themselves by experimenting a little more.

Director Siddharth P. Malhotra handles the dramatic portions best. The tense moments between Kajol and Kareena, the confrontation between the two and also the cold stares that they exchange time and again have been captured very well. The gradual transformation in Kajol's looks, from striking and energetic to pale and morose, is also well projected. The finale is the best part of the enterprise and can be best described in one word: Outstanding. However, like I pointed out earlier, the writing could've been tighter towards the second hour.

Mohanan's cinematography is eye-catching and the locales of Australia only enhance the look of the film. Niranjan Iyengar's dialogue are decent at places, but a few lines are amazingly real. The background score [Raju Singh] is first-rate.

WE ARE FAMILY gives the two popular actresses an opportunity to sink their teeth into strongly drawn, juicy, challenging and interesting female roles that move beyond the normal stereotypes. The scene stealer is, without doubt, Kajol. She expresses the gamut of emotions brilliantly and speaks a million words even when silent. This is yet another incredible performance from an actor par excellence. Kareena excels yet again and her sequences with the kids are a delight. In fact, casting Kareena as the stepmom is just right, since she's the only actor who can stand up to Kajol in high-voltage scenes and that's because Kareena is a powerful actor herself. Arjun continues to surprise. ROCK ON, HOUSE FULL, RAAJNEETI and nowWE ARE FAMILY indicates the growth of this actor. He handles the emotional moments well too. The kids - all three of them - are superb. In fact, the casting of the kids [done by Shanoo Sharma] is an ace.

On the whole, WE ARE FAMILY is a perfect family film with a good mix of emotions and humour. Plus, a brilliant climax, which will ensure that the film grows with a strong word of mouth. The last film which came close to being afamily outing was PAA. Before that, the only quintessential family film was BAGHBAN. WE ARE FAMILY is the kind of film that should work instantly with ladies and when ladies watch such films, they bring their spouses and children along. Recommended!

Download We Are Family MP3 Songs
01 - Ankhon Mein Neendein@review-of-movies.blogspot.com
02 - Dil Khol Ke Let's Rock@review-of-movies.blogspot.com
03 - Reham O Karam@review-of-movies.blogspot.com
04 - Hamesha & Forever@review-of-movies.blogspot.com
05 - Sun le Dua Yeh Aasman (Theme Slow Version)@review-of-movies.blogspot.com
06 - We Are Family (Theme)@review-of-movies.blogspot.com

01 - Ankhon Mein Neendein@review-of-movies.blogspot.com
02 - Dil Khol Ke Let's Rock@review-of-movies.blogspot.com
03 - Reham O Karam@review-of-movies.blogspot.com
04 - Hamesha & Forever@review-of-movies.blogspot.com
05 - Sun le Dua Yeh Aasman (Theme Slow Version)@review-of-movies.blogspot.com
06 - We Are Family (Theme)@review-of-movies.blogspot.com

Watch We Are Family Videos


We Are Family - Music Review

Cast :: Arjun Rampal, Kajol, Kareena Kapoor

Another much awaited album from the stable of Karan Johar. Another wonderful listen from Shankar-Ehsaan-Loy. Oh, did I forget Jailhouse rock?

We are Family starts with SEL at their romantic best, as they come up with a typical romantic Aankhon mein neendein sung by Rahat Fateh Ali Khan and Shreya Ghoshal along with Shankar Mahadevan. Irshad Kamil does no breakthrough to lyrics but adds a few beautiful touches to his words here and there. Lovable. A song for the long run.

If you haven’t heard the album yet, reduce the volume a bit before the second song starts. As Shankar-Ehsaan-Loy-KJo-Sid make Kajol kill Elvis with Dil Khol ke let’s rock, it’s clear that the song is definitely not the best thing for a music lover, but the song is certainly a tongue-sticker. Taking the video into account, I’d say Anushka does a wonderful job at being carefree while Akriti is good as a support and singer. The rocker Suraj Jagan sings this one also really well, though the negative point of the same is that he doesn’t sound casual unlike Anushka. Last word, you are anyway not likely to love it the first time, and if you’re an Elvis fan, there is no way at all. But even after all this, the song is going to be a hit, a superhit. After all, it’s Elvis’ music, and recreated by none less than SEL.

Next is the Best. Vishal Dadlani and Shankar Mahadevan come together for a wonderful Reham-O-Karam and the song just rocks. Reham-O-Karam starts with a casual solo rendering by Shankar and then suddenly it all gets rocking. From the on Vishal and Shankar sing Irshad Kamil’s lyrics to the wonderful tune of SEL and it’s Magik. Oops, magic.

Next song happens to be Sonu Nigam and Shreya Ghoshal’s Hamesha and Forever, which is kind of typical with nothing new but just some sweetness that both Sonu and Shreya have in plenty. A soft, slow number that will stick itself with the story of the movie and will keep walking at its own pace. Another one for long runs, but ma take some time to take off. As the name says, Hamesha and Forever.

The last song of the album is Sun le dua yeh aasmaan. The song is pretty slow, even from Karan and Shankar-Ehsaan-Loy’s standards and Shreya Ghoshal does a good and pretty tough job as she moves the song alone. As a matter of fact, it’s almost a theme.

The end of the album is, of course, with a theme and this time Karan keeps the privilege for the trio again after MNIK where he had given the theme alone to Strings. It’s a typical, what do I say.

Overall, We Are Family is a predictably good and sweet album from Karan Johar and Shankar-Ehsaan-Loy. Believe me I’m keeping Karan first because that matters more here. And yes, all the three words (predictable-sweet-good) don’t fit with JailHouse Rock. Still, I’m humming it.

Download MP3 Songs
01 - Ankhon Mein Neendein@review-of-movies.blogspot.com
02 - Dil Khol Ke Let's Rock@review-of-movies.blogspot.com
03 - Reham O Karam@review-of-movies.blogspot.com
04 - Hamesha & Forever@review-of-movies.blogspot.com
05 - Sun le Dua Yeh Aasman (Theme Slow Version)@review-of-movies.blogspot.com
06 - We Are Family (Theme)@review-of-movies.blogspot.com

01 - Ankhon Mein Neendein@review-of-movies.blogspot.com
02 - Dil Khol Ke Let's Rock@review-of-movies.blogspot.com
03 - Reham O Karam@review-of-movies.blogspot.com
04 - Hamesha & Forever@review-of-movies.blogspot.com
05 - Sun le Dua Yeh Aasman (Theme Slow Version)@review-of-movies.blogspot.com
06 - We Are Family (Theme)@review-of-movies.blogspot.com

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Raajneeti - Movie Review

Cast :: Nana Patekar, Ajay Devgan, Ranbir Kapoor, Katrina Kaif, Manoj Bajpai,Naseeruddin Shah, Arjun Rampal

Prakash Jha's RAAJNEETI talks of warring cousins, dynastic rule and electoral politics of the Hindi heartland, besides the vicious and horrifying games some people play to attain power.

RAAJNEETI is a human drama, a complex game that people indulge in to achieve power and how this greed envelopes them and transforms them into ruthless and conniving humans. It takes time for the story to sink in, but slowly and steadily, you get sucked into a world that's dark, dangerous and demonish. The attire may be white, but the deeds are grey or black.

RAAJNEETI is not only 'Mahabharata', but also 'Godfather'. Despite knowing 'Mahabharata' or 'Godfather', one is not able to presume what games the present-day Pandavas and Kauravas would play in RAAJNEETI. In fact, the story alters constantly, unravelling in a serpentine manner and speed... so much so that you don't know what's gonna happen next. It keeps you awed at the constant turn of events. Clearly, unpredictability is the biggest strength of RAAJNEETI. Yet, this is not a documentary, tetchy or preachy film. This one not only entertains, but also enlightens.

The flipside? None, actually. The naysayers may point out that the subject material is 'heavy', 'serious' and 'dry', but you ought to know that when you adapt 'Mahabharata' in the current milieu, you can't expect 'item songs' and 'slapdash humour and mimicry', for God's sake. These naysayers may also state that the running time is a no-no in today's times, but let's not forget that even 3 hours is too short a duration for a good film and vice-versa, even an hour is too lengthy for a terrible film. RAAJNEETI is a genuinely good product, so you definitely don't mind its length. But one thing is for sure: RAAJNEETI doesn't cater to an audience that keeps its brains at home while watching a film. You need to be alert while watching this one.

Prakash Jha, the persona, is known for qualitative cinema and RAAJNEETI, his new offering, stands tall on the list. Cinema is all about narrating interesting stories on celluloid and for that very reason, RAAJNEETI deserves distinction marks. Of course, the massive star cast and the sparkling performances are the icing on the cake.

Bhaskar Sanyal [Naseruddin Shah], the fire-brand leftist leader, is feared for his single-handed ability to challenge the most powerful of leaders. Until one private mistake of his hurtled him into a self-imposed exile.

Cut to the present day. Prithvi [Arjun Rampal] is the heir to a powerful political legacy and impatient to seize the top position. But his cousin, Veerendra [Manoj Bajpayee], proves his biggest political opponent. He's a man who believes he was born to rule and who will now stop at absolutely nothing to claw his way back to the top.

Cornered by family and political colleagues, Veerendra plays a new game: He picks up Sooraj [Ajay Devgn], a youngster with anger in his heart and leadership on his mind. Sooraj doesn't know the secret behind his identity, which, of course, is revealed much, much later.

Prithvi's brother Samar [Ranbir Kapoor] is an 'outsider', with no political aspirations, but he gets sucked into the battle-ravaged arena of family rivalry. Only to turn into a master of the craft of political warfare. Indu [Katrina Kaif], daughter of a wealthy industrialist, is also caught in this web. Last but not the least, there's Brij Gopal [Nana Patekar], who plays the role of mentor and guide to Prithvi and Samar as the battle gets bloodier by the day.

It requires courage to assemble a mammoth, ensemble cast, pick a story that does justice to each character and give the film the feel of an epic. Also, you ought to have comprehensive knowledge of the subject material - politics, in this case. And for all these and more Prakash Jha deserves all the praise possible. He knows the territory like the back of his hand, having observed the political culture very closely. Like I said at the outset, every character in RAAJNEETI is grey or black, not squeaky clean at all.

At an edited length of almost 3 hours, RAAJNEETI keeps the viewers glued to the goings-on for start to end. Anjum Rajabali and Prakash Jha's screenplay brings to the fore the ugly face of democracy most realistically and convincingly. The constant twists-n-turns in the story, the characters who change colours faster than chameleons and the blood-bath they indulge in are the highpoints of this film. In fact, there are sequences that merit brownie points, but it wouldn't be ethical to reveal them here since that would rob the fun while watching the film.

If the screenplay is watertight, the dialogue are equally remarkable. Every line is soaked in acid and only enhances the impact of several sequences. There's no scope for music in the film and the songs, including the hugely popular 'Mora Piya', are interspersed briefly in the narrative. Cinematography is top notch. RAAJNEETI is not an easy film to shoot, given the fact that there are more than 3 or 4 actors in every frame, besides a massive crowd of course.

To slot RAAJNEETI as a multi-starrer film would be erroneous. It's a multi-actor film and every actor delivers a sparkling performance. The film has some of the biggest names in the business, but the ones who stand out are Ranbir Kapoor, Arjun Rampal and Manoj Bajpayee. Ranbir surprises you with every film. Here's an actor who can give the best in the business sleepless nights. Arjun is a revelation and what a terrific performance he pitches in. He's like an untamed lion. Manoj delivers his career-best performance. He plays the evil part superbly.

Ajay Devgn is sidelined in the second hour, but you need to give it to the actor for accepting and enacting his part with complete conviction. Nana Patekar is brilliant. He utters the most acidic lines with a smile, which only an actor of calibre could've achieved. Actually, you can't imagine anyone else in this role. Katrina Kaif is first-rate. The sincerity and earnestness shows in every sequence. She sheds her glam doll image and transforms into an actor with this film. Naseeruddin Shah, in a brief role, does well. Sarah is good.

On the whole, RAAJNEETI makes a sweeping impact. A truly admirable effort, this brilliant film is not to be missed.

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Raajneeti - Music Review

Cast :: Nana Patekar, Ajay Devgan, Ranbir Kapoor, Katrina Kaif, Manoj Bajpai,Naseeruddin Shah, Arjun Rampal

Quite opposite to once expectations and Prakash Jha’s image, Raajneeti seems to be a full fledged musical once you read the names of composers and singers on the cover of this album. And most of them succeed in doing it to quite an extent. Yes, Raajneeti has it’s fare share of good music.

Raajneeti is genuinely one of the most eagerly awaited movies of the year (unlike over-hyped and over-rated trash such as the recent “Housefull”). With a director like Prakash Jha at the helm who has a strong pedigree in this genre and a stellar cast (including the director’s favourite Ajay Devgan and Nana Patekar) to befit several movies let alone one, Raajneeti is expected to portray the reality of politics in a way that has never been seen before. But what about the music? Apart from the background score (by Wayne Sharpe) which will be important, can the songs promote or add any value to such a movie? Based on Prakash Jha’s previous films the answer must be a resounding no and this theory is further compelled by the late arrival of this soundtrack (the movie is released in a few weeks!) but regardless of expectations.

The album starts with Bheegi si, bhaagi si, which is a peppy, foot-tapping, Pritam type song sung by Mohit Chauhan with a relatively very new Antara Mitra who sounds something like Shreya Ghoshal. A good one to say the least. Catchy. Not long term, but not bad certainly.

Next comes Aadesh Srivastava’s already hit composition Mora Piya mose bolat naahi. The song is definitely good, but the first complete line in the song comes after almost one and a half minutes into the song, so we definitely have a slow start at the song. Still, the song is worth listening to. Kudos to Aadesh for creating and then singing the awesome song too.

Ishq Barse is a pure item song by Shantanu Moitra who I don’t remember creating any such song before. Still, the favorite of VVC and Shyam Benegal makes this one quite fine and the Indian-rap sung by Hamsika Iyer is something worth listening to. The atkan-matkan-pigeonwa you know. Between, the song has something called a Bombay Bounce mix too, not that I got to know the difference I heard it the first time.

Dhan Dhan Dharti re, or Vande Mataram song as they are calling it, is the watch-it thing of the album. Sung by Shankar Mahadevan, and by Sonu Nigam in another version called ‘Call of the Soil’ (apne desh ki mitti ki khushboo?), the song is a poetic-patriotic feat by Gulzar and American composer Wayne Sharpe creates good enough surroundings with his Indian-Western fusion. I wonder if Rahman was asking for more money and so Prakash Jha went to an American composer for a version of Vande Mataram, but then, whatever be his reasons, the composer does his work darn good and I’m in love with this song. Read more about the song on the separate post below.

So the songs are over, but then there is a surprise. The surprise is that we have one more version of Mora Piya. This one is a Trance Mix, sung by our very own Kavita Seth. No, we don’t get her in a regular version (Does Aadesh Srivastava feel insecure??) but her voice is welcome in any version and she does the best she can in her limits.

In short, Raajneeti is worth a try, and actually worth a buy album. Prakash Jha seems to have been doing more than making just a good film this time, with some great pairings, oh-my-mouth-was-open trailers and some not-baaaad music. I just hope the movie is still as good as I hope it to be. For now, the music is above expectations, to say the least.

Download MP3 Songs
01 - Bheegi Si Bhaagi Si@review-of-movies.blogspot.com
02 - Mora Piya@review-of-movies.blogspot.com
03 - Ishq Barse@review-of-movies.blogspot.com
04 - Dhan Dhan Dharti@review-of-movies.blogspot.com
05 - Mora Piya Mo Se Bolat Naahin (Trance Mix)@review-of-movies.blogspot.com
06 - Ishq Barse (The Bombay Bounce Club Mix)@review-of-movies.blogspot.com
07 - Mora Piya (Twilight Mix)@review-of-movies.blogspot.com
08 - Dhan Dhan Dharti Reprise (Call Of The Soil)@review-of-movies.blogspot.com




Housefull - Movie Review

Cast :: Akshay Kumar, Ritesh Deshmukh, Arjun Rampal, Boman Irani, Randhir Kapoor, Deepika Padukone, Lara Dutta,Jiah Khan

After a long painful drought (thanks to the exam season and IPL matches) of plain boring to irritating films arrives Sajid Khan’s Housefull. While in totality it does fall short of being the big great summer entertainer that it is been claiming to be, it however manages to bring many laughs for you. However, eventually it settles down in familiar territory.

Housefull narrates the tale of Aarush (Akshay), a perpetually unlucky bloke and a loser in life who moves into the house of his best buddy cum another loser, Bob (Ritesh) and his wife Hetal (Lara). But things continue to go wrong for Aarush. Convinced that true love can fade away his bad luck jinx, a desperate Aarush enters into many complicated situations while seeking it. Thus enter Sandy (Deepika) and Devika (Jiah) in his life. Things complicate further with the arrival of Sandy’s angry brother Major Krishna Rao (Arjun Rampal) and Hetal’s estranged dad Batuk Patel (Boman Irani). How Aarush and Bob in an attempt to hoodwink Krishna Rao and Batuk go on creating more confusion leading to a mirthful chaos forms the rest of the plot.

Much was expected from Sajid Khan who has been literally claiming from rooftops for weeks now that he has made the year’s biggest blockbuster. Though he has not entirely let us down, you do wish he could have opted for a more innovative plot. The second half ends up being more of an Anees Bazmee film what with characters trying to hide identities and going on a lying spree. Sajid Khan also seems to have taken the slap stick humour bit quiet seriously what with so many slaps happening within the film. A ‘slapathon’ sequence reminding of his Heyy Babyy takes place too. The film loses its tempo with the introduction of Jiah’s character. But thankfully gets it back right in the second half where Akshay and Ritesh’s histrionics to hide the truth from Arjun Rampal and Boman Irani.

To give Sajid due credit, he has created many rip roaringly funny situations that are further elevated by his actors. Amongst the most hilarious sequences are most of the scenes featuring Akshay and Ritesh together. They share terrific chemistry. The climax set in the Queen of England’s Buckingham Palace is a laugh riot (literally). The film is high on glamour quotient what with three attractive bodied heroines (Deepika, Lara and Jiah) parading in skimpy outfits most of the time.

Akshay Kumar is back in terrific form, evoking huge laughter with his faced humour. Ritesh Deshmukh is another great comic talent who often gets his timing right. Arjun Rampal suits the part and looks dapper. While Deepika looks sizzling hot, Lara manages to score over her in the comedy department. Jiah tries hard and ends up being just about passable. Boman Irani goes over the top as usual. Making a come back on screen after a long gap, Randhir Kapoor playing Jiah’s Sindhi dad doesn’t get much scope. Chunky Pandey is plain irritating playing Akhiri Pasta an Italian hotelier. His fake Italiano accent grates on your nerves.

Shankar Ehsaan Loy’s music perfectly syncs in with the mood of the film. Mika sung foot tapping number Apni To Jaise Taise featuring Jacqueline Fernandez is a sure shot chartbuster and is fun to watch on screen. The editing could have been tighter especially in the first half. Vikas Sivaraman’s camera work is good especially while capturing the Italy locales.

Finally, what makes Housefull a watchable film is the fact that it aims to entertain and succeeds in doing so irrespective of its negative points. Go watch Housefull if you seek pure no hassles entertainment.

Download MP3 Songs
01 - Housefull - Oh Girl You're Mine@review-of-movies.blogspot.com
02 - Housefull - Papa Jag Jayega@review-of-movies.blogspot.com
03 - Housefull - Aapka Kya Hoga (Dhanno)@review-of-movies.blogspot.com
04 - Housefull - I Dont Know What To Do@review-of-movies.blogspot.com
05 - Housefull - Loser@review-of-movies.blogspot.com
06 - Housefull - Oh Girl You're Mine (O Boy What A Girli Mix)@review-of-movies.blogspot.com
07 - Housefull - Papa Jag Jayega (Insane Insomaniac Mix)@review-of-movies.blogspot.com
08 - Housefull - I Dont Know What To Do (Shabbirs Sexy 70S Mix)@review-of-movies.blogspot.com

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Ranbir and Kartina enjoying night parties

There is a great chemistry between Bollywood doll Katrina Kaif and chocolate actor Ranbir Kapoor, after there hit movie Ajab Prem Ki Gazab Kahani. Both of them her in new, there is a good chemistry between both of them.

Ranbir and Kartina enjoying night parties
They were promoting there upcoming movie Rajneeti, and having a gala time, both of them are enjoying each other company. Ranibir and Kartina attended Arjun Rampal night party at his dance club and they danced together until morning.

Let’s hope for the best, Salman Khan will create any trouble for both of them, All the Best to Katrina and Ranbir!!

Jiah apologize Randhir Kapoor

Sajid Nadiadwala and Sajid Khan’s movie Houseful starring Akshay Kumar, Deepika Padukone, Lara Dutta, Randhir Kapoor, Ritesh Deshmukh, Arjun Rampal, Boman Irani and Jiah Khan seems to have one funny incident after another happening on the sets.

Jiah Khan
Jiah Khan ended up holding ear of Randhir Kapoor, Jiah Khan is playing a role Randhir Kapoor daughter. After the sequence, Sajid told her to apologize to Randhir Kapoor, hold her ears, and ask for forgiveness.

Housefull - Music Review

Cast :: Akshay Kumar, Ritesh Deshmukh, Arjun Rampal, Boman Irani, Randhir Kapoor, Deepika Padukone, Lara Dutta,Jiah Khan

Housefull is an upcoming Hindi movie of Bollywood which introduces Akshay Kumar, Deepika Padukone and Ritesh Deshmukh in lead role. Housefull Hindi movie releases on 30th April, 2010. Housefull 2010 movie is based on romantic comedy. Music of the movie is composed by Shankar-Ehsaan-Loy.

Oh Girl You’Re Mine” song of Housefull music is sung by Tarun Sagar, Alyssa Mendonsa and Loy Mendonsa. The song starts with harmonium instrument. There is eco song from background. Music of the song is very slow in the beginning but soon it turns into bold. Lyric of the song is also very different like its music.

Papa Jag Jayega” song of Housefull Hindi music is sung by Neeraj Shridhar, Amitabh Bhattacharya and Ritu Pathak. The song begins with fast band music and rap lyric. The song introduces a very different soundtrack. Lyric of the song is really very appreciating. Music is very fast and blowing in this song. The song has introduced very thematic lyric with “Jhankar” band music.

Aap Ka Kya Hoga (Dhanno)” song of Housefull 2010 music is sung by Mika Singh, Sunidhi Chauhan, Shankar Mahadevan, Sajid Khan and Arun Ingle. The song is also very unique in Housefull Album. The song has introduced the concept of old Bollywood lyric in a new form and style.

Oh Girl You'Re Mine (Remix)” song of Housefull 2010 Album is sung by Loy Mendonsa, Tarun Sagar and Alyssa Mendonsa. The song is a little fast than its original. Music is also a little different from its original. However, remix version instrumental music is really very appreciating of “Oh Girl You'Re Mine (Remix)” song.

I Don'T Know What To Do (Remix)” song of Housefull Album is sung by Shabbir Kumar and Sunidhi Chauhan. Lyric of the song is very mix with its thematic music. The song is mixed with various style of lyric. The soundtrack of Housefull music is very different from others.

I Don'T Know What To Do” song of Housefull music is sung by Shabbir Kumar and Sunidhi Chauhan. There is not much difference between original and remix song. However, lyric of both version songs are very different to each other. Both soundtracks are appreciating of Housefull Album.

Papa Jag Jayega (Remix)” song of Housefull Album is sung by Neeraj Shridhar and Amitabh Bhattacharya. Both versions of songs are very similar to each other.

He's Such A Loser” song of Housefull music is sung by Vivinenne Pocha and Amitabh Bhattacharya. Lyric of the song is also very different which is just like rap. Music of the song tunes on slow-paced lyric.

Overall, Housefull Album has introduced a very different lyric in each soundtrack. Music director of Housefull - Shankar-Ehsaan-Loy has tried to research on the lyric of the album. Lyric of Housefull is mixed with rap, old Bollywood and Hindi songs. Lyric of Housefull music is really very appreciating.

Download MP3 Songs
01 - Housefull - Oh Girl You're Mine@review-of-movies.blogspot.com
02 - Housefull - Papa Jag Jayega@review-of-movies.blogspot.com
03 - Housefull - Aapka Kya Hoga (Dhanno)@review-of-movies.blogspot.com
04 - Housefull - I Dont Know What To Do@review-of-movies.blogspot.com
05 - Housefull - Loser@review-of-movies.blogspot.com
06 - Housefull - Oh Girl You're Mine (O Boy What A Girli Mix)@review-of-movies.blogspot.com
07 - Housefull - Papa Jag Jayega (Insane Insomaniac Mix)@review-of-movies.blogspot.com
08 - Housefull - I Dont Know What To Do (Shabbirs Sexy 70S Mix)@review-of-movies.blogspot.com

Watch Movies



Housefull will be Akshay’s biggest opening film ever

housefull

First theatrical promo of Housefull is out and undoubtedly, it has got to an all around positive response. While the makers have done well by blending class with mass in the First Look, they have also smartly included a shot from the film which features the three leading ladies – Deepika Padukone, Lara Dutta and Jiah Khan – in a two piece bikini.

Katrina-Arjun launch news channel

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Bollywood celebrities Katrina Kaif, Arjun Rampal and Manoj Bajpai were recently spotted launching a news channel in Bihar. Katrina wore red color anarkali to the event. Like?\

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Malaika-Arjun on Society

arjun rampal

Check out Neha Dhupia sizzling on the front cover of Stuff magazine’s latest issue. Like her?Malaika Arora and Arjun Rampal feature on the front cover of Society magazine.The cover is very ordinary looking. Ain’t it?

Fan died for Katrina Kaif

Latest news is that when Katrina Kaif was shooting for her latest film Rajneeti in Bhopal, one of her fan died by jumping into a lake after failing to realise his dream of meeting her.

Katrina Kaif

It is reported that this young 25-year-old youth jumped into a lake in Bhopal, as he couldn't meet Katrina. It was revealed that he was one of the guys in the crowd, who have gathered to have a glimpse of the actress. But Katrina Kaif and the film unit is not aware of the unfortunate incident.

The film also casts Ranbir Kapoor, Ajay Devgan, Arjun Rampal. Next releases of the actress are Blue which will release on October 16, 2009, Ajab Prem Ki Ghazab Kahani is set for release on November 06, 2009 and her another film De Dana Dan will be released on November 27, 2009.

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Arjun Rampal Biography

Often referred to as the “Prince of the Ramp”, Arjun Rampal was a supermodel of the 90s. After winning the Society face of the year in 1994, Arjun became a known face in the fashion and modeling circuit.

Arjun was born on November 26, 1972. Initially he wanted to hit it big internationally, but soon he realized that the atmosphere there was not conducive to his growth and thus, he decided to settle back home.

The famous designer Rohit Bal noticed Arjun at a Discotheque and thus, became his mentor. While he was shooting for an ad film -Monte Carlo, he met Ashok Mehta, who wanted to cast Arjun in his directional venture. This film was “Moksh” opposite Manisha Koirala, which was soon forgotten.

Arjun’s second film “Jadh” was also shelved half way through. It was only after his third film “Pyaar Ishq aur Mohobat”, which released in 2001, that Arjun finally tasted success. After this he appeared with renowned actors like Aishwarya Rai, Preity Zinta, Amitabh Bachchan, Naseeruddin Shah and Boman Iraani.

Film like “Dil ka Rishta”, “Dil Hai Tumhara” and “Aankhen” made Arjun Rampal a house hold name. with his rugged looks and a special charm, he put the filom industry on fire and showed his potential to face any challenge.

Marriage for Arjun to the super model Mehr Jessia in 1997 got positive energy within him. Today he is the proud father of two girls, Mahikaa and Myra, whom he considers his strength.

A love for comfort makes Arjun define himself as “Cool and Casual”. He prefers wearing his track pants and t shirt and is a slave to designer Tarun Tahiliani’s Kurta Pyjama collections and boasts of having 80 pairs of sunglasses!

News has it that Arjun had also taken lessons in Indian classical vocals (for voice modulations), Urdu lessons (for proper Diction) as well as some dancing lessons. Though he has had only 15 days of training in acting, he thinks it has made him a better performer.

His recent films like “I See You” and a small cameo in “Don” haven’t fetched much public acclaim and its time Arjun should show his real mettle in acting.